Category Archives: Battle of the Sexes film

“The Battle of the Sexes”: An anniversary

 

September 2023 marked the 50th anniversary of “The Battle of the Sexes,” the memorable tennis match between Billie Jean King and Bobby Riggs.

In November 2017, when a film based on this story appeared, I wrote about it.  https://susanjustwrites.com/2017/11/Much of what I wrote still holds true, and an edited version appears below.  Thanks to Billie Jean King’s autobiographical memoir, All In, published in 2021, I can add a brief update.

Edited version of what I wrote in 2017

When Billie Jean King met Bobby Riggs at the Houston Astrodome on September 20, 1973, I was miles away in San Diego.  I’d just finished teaching a class of law school students about Poverty Law, and I was blissfully pregnant with my first child.  I was watching the clock, trying to judge the time it would take to drive from the beautiful campus of the University of San Diego to our recently-rented apartment in seaside La Jolla.  Waiting at home was my handsome and super-smart husband (I’ll call him Marv), finished for the day with teaching math students at UCSD, the University of California at San Diego.  We were both Professors Alexander that year, and it was fun to answer our phone and hear a student ask for ‘Professor Alexander.’  My silly response:  ‘Which one?’

Marv had snacks and drinks ready to munch on and imbibe during the televised tennis match.  The drinks included nothing alcoholic for me.  Not because the medical profession had decided that alcohol harmed growing fetuses.  That came a few years later.  I avoided alcohol simply because I had no desire to drink while I was pregnant.  Was it instinct or just dumb luck?  When we later that year saw the film “Cinderella Liberty,” in which an often-drunk woman’s pregnancy ends in tragedy, it was clear that my choice to avoid alcohol was the right one.

I drove home from USD as fast as I could, arriving just in time to watch the much-hyped tennis match dubbed the “Battle of the Sexes.”  In the 2017 film about the match, Emma Stone captured the Billie Jean King role perfectly.  She portrayed not only King’s triumph over Riggs in that match but also her initial uncertainty over her decision to compete against him and her continuing struggle to ensure that women’s tennis be given equal status with men’s.

Steve Carell carried off his role as Bobby Riggs equally well, depicting the outrageous antics of the 55-year-old Riggs.  But the focus had to be on Billie Jean, the Wonder-Woman-like heroine of her day.  By accepting Riggs’s challenge, and then defeating him, she became the twentieth-century symbol of women’s strength and perseverance, advancing the cause of women in sports (and in American culture at large) as much as she advanced her own. 

Marv and I were two of the estimated 50 million Americans who watched the match on ABC television that night. Watching it with my adored husband, my hoped-for child growing inside me, I was ecstatic when Billie Jean defeated Riggs before 90 million viewers worldwide.

As my pregnancy advanced, complete strangers would ask me, “Do you want a boy or a girl?”  I liked to answer ‘a girl’ just to see the reaction on the faces of nosey parkers who clearly expected another response.  I was in fact hoping I would give birth to a healthy child of either sex, but I knew I’d treasure having a daughter.  When my darling daughter was born about seven months after the Battle of the Sexes, and when her equally wonderful sister arrived three years later, Marv and I were both on top of the world.

Maybe watching Billie Jean King in September 1973 sealed our fate.  We really wanted her to win that battle. Did the endorphins circulating inside me as we watched her triumph produce a feeling of euphoria?  Euphoria that later led us to produce two Wonder-Woman-like heroines of our own?  Maybe.

Tennis, anyone?

2023 update

Fifty years later, I’m in awe of what Billie Jean King has been able to achieve in the field of tennis and in our culture overall.  Throughout her career, she has faced all sorts of challenges.  Significantly, in the preface to her book, All In, she recounts the gender-bias she confronted as a child.  This was not only the gender-bias that permeated the overall culture that she and I both grew up with, but also the specific bias she dealt with in the tennis world. 

In my forthcoming book, I plan to quote King’s description of what she was up against.  “I didn’t start out with grievances against the world, but the world certainly seemed to have grievances against girls and women like me.”  As she writes, “Pursuing your goals as a girl or woman then often meant being pricked and dogged by slights… It made no sense to me.  Why would anyone set arbitrary limits on another human being? … Why were we constantly told, Can’t do this. Don’t do that. Temper your ambitions, lower your voice, stay in your place, act less competent than you are. Do as you’re told?  Why weren’t a female’s striving and individual differences seen as life-enriching, a source of pride, rather than a problem?” 

King points out that the famous Riggs tennis match “remains cast in the public imagination as the defining moment for me where everything coalesced and some fuse was lit.  But in truth, that drive had been smoldering in me since I was a child.”  What the match and “its fevered buildup proved was that millions of others were locked in the same tug-of-war over gender roles and equal opportunities.”  She adds, “I wanted to show that women deserve equality, and we can perform under pressure and entertain just as well as men.”

King has gone on to achieve exactly what she aimed to do:  Achieve equality for women in tennis, and push for equality in every other sphere of our lives. 

When we look back at the “Battle of the Sexes,” let’s place that event firmly within the context of the lives American women like King have lived, beginning with her childhood and continuing up until today.

On “thin ice”?

                    

When the events in our world become too unpleasant, I retreat to a comforting place:  old movies.

I’ve been a movie buff my entire life, and I’ve previously written about some of my favorite films.  

An invaluable source of old movies has been the TV channel TCM, Turner Classic Movies.  A recent threat to the status of TCM arose when a new CEO assumed a degree of power over it.  Maureen Dowd described the situation perfectly in her column in The New York Times on June 24, “Save Turner Classic Movies.”  In her column, Dowd proclaimed that TCM is “a public good, like libraries,” adding that “It enshrines our cinematic past.” She relates that she has spoken with David Zaslav, the new CEO in charge, and he promised to preserve it.  Steven Spielberg and Martin Scorsese have just announced that they will work for free to help TCM survive.

Watching old films is illuminating:  They almost never feature extreme violence and the supernatural, two features prominent in current films.  Although I’m frequently disturbed by the depiction of women as either frivolous or annoying (also apparent when I rewatched on DVD the first season of TV’s Twilight Zone), there’s almost no graphic depictions of the worst kinds of aggressive sexual violence toward women.  Women didn’t have the role in society that we (for the most part) play today, and that’s reflected in the films from earlier eras.  Still, women frequently played strong characters in many of the classic films I’ve watched.  As Dowd noted, film noir femmes fatales “taught me that women could be tough and play the game better than any man.”

I fervently hope that the threat to TCM does in fact vanish because I rely on TCM to find films featuring absorbing plots, excellent dialogue, and highly regarded film stars of the past.  Male stars like Paul Newman, Montgomery Clift, John Garfield, and Humphrey Bogart. I’ll add Tyrone Power, William Holden, Cary Grant, Kirk Douglas, Marlon Brando, Spencer Tracy, Sidney Poitier, Jack Lemmon, James Stewart, Fred McMurray, Stewart Granger, Orson Welles, Ray Milland, Gregory Peck, Burt Lancaster, Henry Fonda, Clark Gable, James Mason, Joseph Cotten, Charleton Heston, and Edward G. Robinson. And if Robert Redford has truly left making feature films, I’d add him also.

Unfortunately, many women stars haven’t survived nearly as well.  Some may have been cast aside because they wouldn’t comply with the bedroom demands of certain Hollywood moguls.  But women like Ingrid Bergman, Katharine Hepburn, Ida Lupino, Bette Davis, Joan Crawford, Judy Holliday, Susan Hayward, Vivien Leigh, Barbara Stanwyck, Olivia de Havilland, Anne Baxter, Deborah Kerr, Audrey Hepburn, Geraldine Page, Lauren Bacall, Elizabeth Taylor, Lee Remick, Eve Arden, Myrna Loy, Claire Trevor, even Marilyn Monroe survived and played strong female characters in a variety of classic films.  (I’m probably forgetting a few of your favorite stars of the past, both male and female.  Sorry.)

I’m currently obsessed with Tyrone Power, a great actor who starred in 48 feature films during his short lifetime. His handsome face and endearing persona simply beam from my TV screen.  Although I was already aware of some of Tyrone Power’s (hereinafter “TP”) best films, TCM has helped me discover a great number of movies I’d never encountered.

In my quest to find more of TP’s films, I’ve found many on Netflix DVDs (sadly ending in September).  I also learned that the San Francisco Public Library houses some of them on DVD, and I can request that these show up at my local branch. The result is that, thanks to TCM and the two other sources, I’ve recently been immersed in TP’s films.  Some of the DVDs also include wonderful special features, while TCM hosts like Ben Mankiewicz sometimes add “inside Hollywood” stories.

I’ll list just a few of TP’s films that you’re probably never heard of.  (I didn’t.)  I recommend that you seek them out if you can.  In chronological order, they are:

In Old Chicago (1938): A fictionalized story of brothers who become political leaders in Chicago, ending with an amazing depiction of the Chicago Fire of 1871

Rose of Washington Square (1939): A music-filled film that centers on the same life-story of Fanny Brice as that told in “Funny Girl,” with Alice Faye as Rose (Fanny) and TP in the Nick Arnstein role.  By the way, when Fanny Brice sued Fox for $750,000, the studio settled out of court for an undisclosed amount

The Rains Came (1939): TP plays a handsome MD in India, and a haughty Myrna Loy falls hard for him; it features astounding special effects of flooding rains and an earthquake that earned the very first special-effects Oscar

The Mark of Zorro (1940): An exciting updated version of the story that starred Douglas Fairbanks as Zorro in the 1920 silent version; Basil Rathbone, who sparred with TP in a fierce sword-duel, said that “Power was the most agile man with a sword I’ve ever faced…. He could have fenced Errol Flynn into a cocked hat.”

Blood and Sand (1941): TP is a wholly believable matador in glorious Technicolor

And now for a unique film I was surprised to come across:  Thin Ice (1937).  Here TP is paired with Olympics gold-medal-winning Norwegian ice skater, Sonja Henie.  Henie set records as a three-time Olympic champion in women’s singles, and Hollywood welcomed her as a star from 1936 to 1943. Thin Ice is set at a resort in the Alps, where Sonja arrives to teach ice skating.  While skiing, she encounters TP, a prince from somewhere in Europe.  Clothed in casual skiing garb, he introduces himself as Rudy, and he charmingly proceeds to keep his real identity as Prince Rudolph a secret.  

During the film, Henie performs as the star of several ice shows at the resort, skating to music by Borodin (before “Stranger in Paradise” used the same melody in the Broadway musical “Kismet”) and other classical composers. TP sits in the audience disguised in absurd Groucho Marx-type outfits, but of course the two finally meet up as prince and skating star and fall in love.

I find this film of special interest because Sonja Henie played a small but memorable part in my life. When I was very young, my parents took me to see one of the skating extravaganzas she starred in when her life as a movie star was over.  My father remarkably saved the souvenir program from the extravaganza, the “Hollywood Ice Revue,” and I found it years later in a scrapbook he kept for our family.  I’ve preserved this program, perfectly intact, ever since.  And although I’ve forgotten almost the entire show, I retain a vivid memory of one thin slice of it when Henie came out onto the ice.  She was perched at the top of an enormous ice-cream soda glass, sitting on the whipped cream at the very top, before somehow getting to the ice in order to skate. 

Tyrone Power left Hollywood to serve in the Marines during World War II.  His distinguished service record led to a bunch of medals.  In 1946, he returned to Hollywood and resumed a successful career in films.  But he also left on occasion to work as an actor in several notable stage productions.

Memorable films during this period include these:

Nightmare Alley (1947): TP’s favorite role, and one he had to fight to make. Darryl Zanuck, who ran Fox, viewed TP as his “darling boy” and tried to confine his roles to the lightweight ones in his early films.  But TP was determined to play more challenging roles, and he finally succeeded in making Nightmare Alley.  The studio didn’t promote it and, as a result, it wasn’t a box office hit, but it has gained acclaim and is now recognized as a film noir classic. The recent remake, starring Bradley Cooper, lacks the exciting flavor of the original.

Rawhide (1951): A wonderful pairing of TP and Susan Hayward (another of my favorites) in an unconventional Western setting; they’re hostages held by a murderous gang seeking to steal a shipment of gold (BTW, it has no connection to the TV series sharing its title)

TP’s last completed film, Witness for the Prosecution (1957), is an exciting drama ending with a riveting courtroom scene. In the story, based on a play by Agatha Christie, TP is the lead, playing a criminal defendant accused of murder.  Although Charles Laughton and Marlene Dietrich, in starring roles, have probably garnered more attention for this film than TP, he plays his part brilliantly, directed by the esteemed Billy Wilder.

Tyrone Power tragically died at the age of 44 while making a film in Spain in 1958.  I’ll skip the harrowing details of his death; you can read about them online.

I’ll simply state that watching him in one or more of his movies will probably lead you to admire him as a brilliant and accomplished actor who illuminated every film he was in. 

And if you want to fall in love with Tyrone Power, as I have, please watch one more film:  The Eddy Duchin Story (1956).  In this film, TP assumes the role of the real-life pianist who achieved fame as a bandleader and musician in NYC in the 1930s.  Co-starring with Kim Novak as his wife, TP is bound to win you over.

In my view, Tyrone Power’s reputation is secure.

On “thin ice”?  Not the way I see it.   

PACIFIC BEACH: An unforgettable year (Part II)

September brought a lot of changes. 

Just about the time I began teaching, I discovered that I was pregnant.  The relentless nausea convinced me.

I needed to find a doctor, an obstetrician I could like…and trust.  My new friends, Lyn and Ted, knowledgeable about health-care professionals, came to my rescue.  Once I confided my suspicions to Lyn, she immediately recommended a couple of doctors who practiced together nearby.

Nausea propelled me to make an appointment.  After a routine test confirmed that I was pregnant, I began taking a prescribed med, but it didn’t lessen my nausea very much.  So I began to resort to other remedies.  My best discovery was…date shakes!

Happily, I could get fantastic date shakes at a shack along La Jolla Boulevard where it bordered Pacific Beach.  Not only did I revel in the flavor and texture of the date shakes, but their cold temperature also chilled my interior, dramatically lessening my nausea.  So whenever I drove that route to USD law school, I’d stop for a shake.  Once I arrived at USD, I discovered something else:  As soon as I stood in front of my class, the adrenaline that kicked in also kept my nausea at bay.

I was thrilled to be pregnant, but I didn’t relish having “morning sickness” that usually lasted all day.  First thing in the morning, I’d toast English muffins and smother them with apricot preserves. They helped me face the rest of the day.  I also had a crazy craving for club sandwiches, and I remember phoning a bunch of local restaurants to ask whether their menus included my new favorite dish.

Like every ob-gyn, Dr. Blank (his real name) prescribed daily vitamins.  When I brought his Rx to the drugstore, the pharmacist handed me a bottle whose label instructed me to take four pills a day.  But the pills were gigantic.  I couldn’t bring myself to swallow more than one or two of them a day.  I just couldn’t.  But I worried about it.  Was I neglecting my future child?  During my next doctor visit, I revealed my dilemma.  Dr. Blank was appalled. The pharmacist had read his handwriting incorrectly!  I needed only one of those monster pills a day.  Phew! 

Marv and I began haunting Mr. Frostie, a venerable soft-serve ice cream shop on Garnet Avenue.  Soft-serve ice cream wasn’t as good as a date shake, but it was cold enough to work for a while.  Later I discovered a great place for maternity clothes: The JC Penney store on Garnet.

One more purchase on Garnet:  A sewing machine I bought at the Sears Outlet, where a kindly salesman cheerfully instructed me how to use it.  I’d actually first learned to use a sewing machine in junior high in LA when I was 12.  (I bought the fabric I needed at the May Co. store on Wilshire Boulevard that’s now the site of the new Academy Museum of Motion Pictures.)  But my skills had eroded, and I was happy to revive them.  I proceeded to make easily-sewn creations like maternity tops, ties for Marv, and baby pants in a gender-neutral fabric.

That September, America witnessed an exciting event in the sports world:  “The Battle of the Sexes.”  Because the event was important in my own world, I wrote about it after seeing the 2017 film loosely based on the big event [https://susanjustwrites.com/2017/11/20/the-battle-of-the-sexes-one-more-take-on-it/].  Here’s a chunk of what I wrote:

When Billie Jean King met Bobby Riggs on a tennis court at the Houston Astrodome on September 20, 1973, I was miles away in San Diego.  I’d just finished teaching a class of law school students about Poverty Law, and I was blissfully pregnant with my first child.

I was watching the clock, assessing how long it would take me to drive from the law school to our recently-rented apartment in La Jolla.  Waiting at home was my handsome and super-smart husband Marv, finished for the day teaching math students at UCSD.

We were both Professors Alexander that year, and I took delight in answering our phone and hearing a student ask to speak to “Professor Alexander.”  I’d respond:  “Which one?”

Marv had snacks and drinks ready for us to munch on and imbibe during the televised tennis match.  Nothing alcoholic for me.  Not because the medical profession had pronounced that alcohol was detrimental for growing fetuses.  I think that came later.  I avoided alcoholic drinks simply because I had no desire to have them during my pregnancy.

Was it instinct or just dumb luck?  When we later that year saw the film “Cinderella Liberty,” in which an often-drunk woman’s pregnancy ends in tragedy, my choice to avoid alcohol was vindicated.

I drove home with as much speed as I could safely muster, arriving in time to watch the much-hyped tennis match dubbed the “Battle of the Sexes.”  In the 2017 film, Emma Stone captures the Billie Jean King role perfectly, portraying not only King’s triumph over Riggs but also her initial uncertainty over her decision to compete against him and her continuing struggle to ensure that women’s tennis be given equal status with men’s.

Steve Carell carries off his role as Bobby Riggs in the film equally well, depicting the outrageous antics of the 55-year-old Riggs, who initiated the concept of the “Battle of the Sexes.”  But the focus has to be on Billie Jean, the Wonder-Woman-like heroine of her day.  By accepting Riggs’s challenge, and then defeating him, she became the mid-twentieth-century symbol of women’s strength and perseverance, advancing the cause of women in sports (and in American culture at large) as much as she advanced her own.  Watching the battle on TV, my hoped-for child growing inside me, I was ecstatic when Billie Jean defeated Riggs before 90 million viewers worldwide.

As my pregnancy advanced, I was frequently asked by complete strangers, “Do you want a boy or a girl?”  I’d answer “a girl” just to see the reaction on the faces of the nosey parkers who clearly expected another response.

I was in fact hoping I would give birth to a healthy child of either sex, but I knew that I would treasure having a daughter.  When my beautiful daughter was born about seven months after the Battle of the Sexes, and when her equally beautiful sister arrived three years later, Marv and I were on top of the world.

Did the endorphins circulating inside me as we watched Billie Jean triumph produce a feeling of euphoria?  Euphoria that led us to produce two Wonder-Woman-like heroines of our own?

Maybe.  Tennis, anyone?

Later that fall, thanks to an appearance by diva Beverly Sills on a late-night TV show, we discovered that San Diego had an opera company where Sills had performed, and we eagerly bought season tickets.  One evening, I shoved my nausea aside and dressed in an elegant long dress that still fit me and headed for “Le Nozze di Figaro” at a downtown theater. The performance was so thrilling that we rushed out and bought the LP the very next day.  The season was filled with four other excellent performances, but “Figaro” remained our favorite.

In November, Marv and I were invited to spend Thanksgiving in Chatsworth, a suburb of LA, with my Aunt Sade and Uncle Sam.  (I liked to call my sweet Aunt Sade my “half-great aunt” because that sounded funny, but she really was the much younger half-sister of my mother’s father.)  We drove to Chatsworth and devoured a turkey-and-trimmings feast with Sade and Sam, their son Sid, and his family.  We loved being surrounded by their warmth that day. Scrutinizing my belly, one of them bravely asked whether I was expecting.  I happily replied yes!

In December, my mother made a visit to La Jolla, a big deal because she rarely left her beloved Chicago.  Mom’s travel wardrobe featured her very first pantsuit!  After seven decades of wearing nothing but skirts, she finally gave in and bought some stylish pants.  Mom slept on the cot we had purchased for our friend Arlyn, and, like Arlyn, she swore that it was comfortable.

Mom’s visit led to a few surprises.  Everyone in the U.S. had just started pumping our own gas.  Driving Mom somewhere, I stopped at a gas station, jumped out of the driver’s seat, and began pumping.  Mom gasped.  She was startled not only to see me performing this fairly new task, but also that I was doing it while pregnant.  Shocking!

Another surprise:  When we escorted Mom to Sea World, one of San Diego’s prime attractions, she took a look at the walrus and other sea creatures and suddenly warned me: “You shouldn’t look at these ugly animals. Looking at them…it’s not good for your baby!”  What?  Mom was a savvy businesswoman who kept up with the news by reading the Chicago Sun-Times every day.  Her bizarre warning had to stem from Old World thinking she’d heard long ago from her own European-born mother.  I was startled because it was the kind of thinking I’d never heard her express before.  Securely in the 20th century, I quickly assured her that these creatures would have absolutely no impact on my fetus!

On New Year’s Eve, we celebrated by taking Mom to a charming Italian restaurant that featured singing waiters serving a festive meal.  I wore a brand-new glamorous green maternity dress for the occasion and thought I looked smashing.  But something I ate unfortunately left an ugly stain I could never get out, so my memory of that beautiful evening is somewhat tarnished.

After Mom returned to Chicago, Marv and I took off for a weekend in Ensenada, a gorgeous spot in Baja California about 80 miles from San Diego, 62 of them on a somewhat bumpy road along the coast.  We’d traveled there from LA before we got married, and I had glorious memories of that trip. 

Our return to Ensenada was blissful.  We loved the breathtaking scenery, the food, and the lively but laid-back atmosphere.  (It wasn’t yet filled with tourists arriving on cruise ships, as it is now.)  We browsed the outdoor displays of ceramic wares and bought a colorful planter for our terrace.  It never occurred to me that we’d done anything unwise. 

But when I next saw Dr. Blank and told him about our trip, he was horrified.  He told me we’d taken a big risk by traveling to a fairly remote part of Baja California, where medical resources were much more limited than those in the U.S.  I could have developed serious medical issues in a location with none of the up-to-date care I would be able to get in San Diego.  And any attempt to travel back to San Diego could have taken much too long.  I soberly realized our mistake and was immensely grateful that we’d luckily escaped a medical emergency in Ensenada.

                                                                                                                                                                             To be continued….

The Battle of the Sexes: One more take on it

When Billie Jean King met Bobby Riggs on a tennis court at the Houston Astrodome on September 20, 1973, I was miles away in San Diego.  I’d just finished teaching a class of law school students about Poverty Law, and I was blissfully pregnant with my first child.

I was watching the clock, assessing the time it would take me to drive from the law school on the beautiful campus of the University of San Diego to our recently-rented apartment in seaside La Jolla.  Waiting at home for me was my handsome and super-smart husband (I’ll call him Marv), finished for the day with teaching math students at UCSD, the University of California at San Diego.

We were both Professors Alexander that year, and I took delight in answering our phone and hearing a student ask to speak to “Professor Alexander.”  My somewhat amused response:  “Which one?”

Marv had snacks and drinks ready for the two of us to munch on and imbibe during the televised tennis match.  The drinks included nothing alcoholic for me.  Not because the medical profession had pronounced that alcohol was detrimental for growing fetuses.  As I recall, that came later.  I avoided alcoholic drinks simply because I had no desire to drink them during my pregnancy.

Was it instinct or just dumb luck?  When we later that year saw the film “Cinderella Liberty,” in which an often-drunk woman’s pregnancy ends in tragedy, my choice to avoid alcohol was clearly vindicated.

I drove home from USD with as much speed as I could safely muster, arriving in time to watch the much-hyped tennis match dubbed the “Battle of the Sexes.”  In the 2017 film that tells the story of the match, Emma Stone captures the Billie Jean King role perfectly.  She portrays with aplomb not only King’s triumph over Riggs in that tennis match but also her initial uncertainty over her decision to compete against him and her continuing struggle to ensure that women’s tennis be given equal status with men’s.

As one of the estimated 50 million viewers who watched King on ABC television that night, I can’t imagine any other Hollywood star assuming the role with greater success.  Emma Stone embodies Billie Jean King to perfection, and I hope her performance garners the attention of countless moviegoers, including many too young to remember  the match that took place in 1973.

Steve Carell carries off his role as Bobby Riggs in the film equally well, depicting the outrageous antics of the 55-year-old Riggs, who initiated the concept of the “Battle of the Sexes.”  But the focus here has to be on Billie Jean, the Wonder-Woman-like heroine of her day.  By accepting Riggs’s challenge, and then defeating him, she became the mid-twentieth-century symbol of women’s strength and perseverance, advancing the cause of women in sports (and in American culture at large) as much as she advanced her own.  Watching the battle on TV with my adored husband, my hoped-for child growing inside me, I was ecstatic when Billie Jean defeated Riggs before 90 million viewers worldwide.

As my pregnancy advanced, I was frequently asked by complete strangers, “Do you want a boy or a girl?”  I took pleasure in answering “a girl” just to see the reaction on the faces of the nosey parkers who clearly expected another response.

I was in fact hoping I would give birth to a healthy child of either sex, but I knew that I would treasure having a daughter.  When my beautiful daughter was born about seven months after the Battle of the Sexes, and when her equally beautiful sister arrived three years later, Marv and I were both on top of the world.

Maybe watching Billie Jean King in September of 1973 sealed our fate.  We really wanted her to win that battle.

Did the endorphins circulating inside me as we watched Billie Jean triumph produce a feeling of euphoria?  Euphoria that later led us to produce two Wonder-Woman-like heroines of our own?

Maybe.

Tennis, anyone?