Category Archives: films

Return to Xanadu, or Have you found your “Rosebud”?

“Rosebud”… every film buff knows the reference. In the monumental 1941 film, Citizen Kane, Charles Foster Kane repeats the word on his deathbed, recalling the beloved sled so cruelly snatched from him during his impoverished youth.  He was still obsessed with its loss, a loss that may have represented the loss of his mother’s love.

I hope you’ve never lost your “Rosebud.”  But it you have, you might look for it at Hearst Castle.

Hearst Castle?  It’s the fabulous estate built by newspaper magnate William Randolph Hearst on the central coast of California.  Most filmgoers acknowledge that it was Orson Welles’s inspiration for Charles Foster Kane’s mansion, “Xanadu.”

Today Hearst Castle is a National Historic Landmark (as well as a California Historical Landmark), and this year it’s turning 100 years old.  When I learned of this milestone, I couldn’t help recalling my two visits to that extraordinary place.

It wasn’t always called “Hearst Castle.”  Hearst inherited the original estate at San Simeon from his father (along with even more land and $11 million) when his mother died in 1919.  Together with his architect, the pioneering Julia Morgan, they greatly enhanced it during a span of over twenty years.

Hearst himself later called it “The Ranch.” After he separated from his wife in 1925, he and his mistress, Hollywood film star Marion Davies, spent time at his mansion entertaining prominent guests from the worlds of politics, literature, and film.  In addition to the mansion itself, Hearst acquired an enormous amount of priceless artwork and furnishings on an epic scale.

I first heard about Hearst’s mansion in the early 1970s when my soon-to-be husband (I’ll call him Marv) proposed that we drive up the coast from Los Angeles, where we’d met a few months earlier, to San Francisco and back.  Marv said we could stop at “San Simeon,” and our stop there turned out to be a shimmering highlight of one of the most memorable trips of my life.  Maybe that’s why I remember it so well.

We set out from LA on a beautiful sunny morning in mid-March.  Driving north on Highway 1, we visited Danish-themed Solvang and beautiful Morro Bay en route to San Simeon.

When we arrived, we walked up to a fairly small entrance and joined a few other tourists on a tour of the mansion, where we learned a lot about Hearst and his mansion’s history.  I knew something about Hearst from his role in U.S. history, especially his “yellow” journalistic efforts to embroil the U.S. in the Spanish-American War in 1898.  But before we visited San Simeon, I knew very little about his personal life.

When the tour ended, we were able to explore the outdoor areas by ourselves.  My photo album includes scenes of the two of us at “Hearst Mansion.”  Unaccompanied and unbothered by any staff or other tourists, we roamed around, taking photos of each other, choosing backdrops like the gorgeous Neptune Pool and some of the exquisite outdoor statuary.

Just after leaving the Hearst Mansion, we drove through Big Sur and relished a memorable lunch at Nepenthe.  This charming restaurant, which first opened in 1949, features an outdoor terrace offering a panoramic view of the south coast of Big Sur.  The breathtaking view is still worth a stop.

The rest of our trip included equally memorable stops in Carmel and Monterey, as well as a celebration of my birthday in San Francisco.  Visiting a couple of wineries in Napa, seeing friends in Berkeley (where Marv had spent five happy years as a grad student), and a trip down the coast to return to LA (via Andersen’s Pea Soup just off Highway 1 in Buellton) completed our remarkable trip.

But most unforgettable was our joyful decision to marry each other in a few short weeks.

Fast forward about 35 years.  I returned to Xanadu…er, Hearst Castle, during a road trip with my daughter in 2008.  This visit was very different.  First, we had to enter through a sterile structure, the visitor center, which didn’t exist at the time of my earlier trip.  In this dreary “holding pen,” we waited with a large crowd of other tourists until we were herded onto a bus, herded through the castle, and herded back onto a bus.

This new approach struck me as far too regimented.  Although my daughter was delighted to see the castle and learn about its history during our tour, we had very little chance to roam around the grounds by ourselves when the tour ended.

With the castle’s 100th anniversary coming up, some positive changes are arriving on the scene.  For example, the slate of tours has expanded to include tours with exciting new themes.  Even better:  Most tours now allow visitors free-roaming once their guided tour is over. This appears to be much like the roaming I remember from my first trip.  Visitors can admire the grounds, including the Neptune Pool (recently renovated for $10 million), for as long as they wish.  So it now promises to be a far better experience for visitors than the one I found wanting in 2008.

 

In my mind, Hearst Castle is inescapably linked with the movie Citizen Kane.  That classic film looms especially large because it turned out to play an important role in my own life.

Marv and I had met on the campus of UCLA, where we were both working, and we had rented apartments in the same building on the fringes of the campus.  Our lives, not surprisingly, often centered around UCLA.

One of our most remarkable dates involved a showing of Orson Welles’s film in a classroom building on the campus.

Sometime after we decided to get married, Marv asked me whether I wanted to see Citizen Kane.  I immediately jumped at the chance to see a film I’d only heard about but never saw, even on late-night TV.

Marv grinned and said something like, “I think you’ll like it,” adding, “There’s a surprise in it for you.”  That clearly piqued my interest, and I couldn’t wait to see it.

We took our seats in a bare-bones classroom and began to watch the film.  It was fascinating from the start, beginning with the announcement of Kane’s death on the “March of the News” (patterned after the “News of the World,” a newsreel shown in movie theaters in the 1940s). The story then flashed back to Kane’s involvement in politics, the purchase of his first newspaper (soon followed by other papers), and his marriage to his first wife.

I was totally caught up in the storyline.  Then came the surprise.  A character named Susan Alexander suddenly appeared on the screen.

My birth name is not Susan Alexander.  But I was never very fond of the last name (my father’s) I was given at birth, and I was planning to change it to Marv’s last name when we married.  Now here was a character with the name I hoped to have.

Unfortunately, she wasn’t a totally positive character, and as the story moved on, she became less and less so.  Abused by Kane, by the end of the movie she had become a pathetic alcoholic, engendering sympathy rather than antipathy.

I would have been happier to see a more positive figure with my future name on the screen.  But what’s astonishing is how the character’s name has lodged in filmgoers’ minds.

During the decades since I married Marv and assumed her name, I’ve encountered countless people who, upon meeting me, mention Citizen Kane.  I immediately know that these people (sadly, a dwindling number) have seen the film and vividly recall the name of Kane’s aspiring-soprano second wife, who was actually patterned after the wife of another tycoon, Samuel Insull.

I’ve always been happy that I took Marv’s last name and became Susan Alexander (even when I’ve been confused with other women who share my name).  And I’ve never regretted being associated with a truly great film like Citizen Kane.

 

Do you have a “Rosebud”?  I didn’t have a favorite toy that I lost during my childhood, so I’ve never obsessed over something the way Charles Foster Kane obsessed over his sled.

But if you have a “Rosebud,” I hope that you’re luckier than he was, and that someday you, unlike Kane, succeed at tracking it down.

 

 

 

 

 

 

For Father’s Day: A Coronation to Remember

The U.K.’s Queen Elizabeth has been front and center lately.  Between an awkward state visit by the U.S. president in early June and the colorful celebration of her 93rd birthday a short time later, she has recently occupied a lot of media attention.

But the Queen has a long history in the minds of the American public.  I first heard about her when I was growing up in Chicago and she ascended the throne after the sudden death of her father, King George VI.

The brilliant Netflix TV series, “The Crown” (which I’ve recently caught up with on DVD), has revived my memories of the early tenure of the Queen.  One particular episode in Season I immediately caught my attention.  At the beginning of this episode, “Smoke and Mirrors,” the young Princess Elizabeth helps her father prepare for his coronation in 1937 (following the abdication of his brother, Edward VIII).

The extreme closeness between father and daughter is demonstrably clear.

The story moves on to the preparation for Elizabeth’s own coronation in 1953.  By this time, her husband, the Duke of Edinburgh (dubbed Prince Philip in 1957), has assumed a significant role in her life.  He insists upon orchestrating the coronation itself, choosing to bring “the modern world” into it.

His efforts to “democratize” the ceremony leads to a shocking innovation: televising it.  He proposes that television cameras capture all of the pomp and circumstance in Westminster Abbey.  This move is unthinkable for many who had long served the royal family.  One of the holdovers from the past calls the prospect of televising the coronation an “unconscionable vulgarization.”

But even despite the opposition of Winston Churchill, the Duke finally gets his wife’s approval, and the new queen’s coronation is broadcast on black-and-white TV for all the world to see.

This splendid episode on “The Crown” has special relevance for me.  As I watched the story unfold, I was brought back to June 1954, when a color version of the coronation was showing as a film in a movie theater in Chicago.  For some reason I can’t recall, my father was in charge of me one day.  He decided that we would go together to see the film at the theater in downtown Chicago.

This was a memorable event for me.  I adored my father, but he usually devoted more attention to my older sister than to me.  I was the little sister who, on road trips, was relegated to sitting in the back seat with my mother while my sister sat in the front seat next to Daddy.

It’s not surprising that my father could communicate more readily with my sister, who was two years ahead of me in school.  Although both of us were voracious readers (stunning our local public-library staff by how quickly we zipped through countless books), my sister was probably reading at a somewhat higher level and understood more about the world than I did at that time.

Following a similar pattern, Elizabeth was the older daughter in her family, and if the opening of “Smoke and Mirrors” accurately portrays her relationship with her father, he paid more attention to her and depended more on her than on his younger daughter, Margaret.

As the younger daughter in my family, every hour I could spend with my father when the two of us spent it alone was more memorable than those we also shared with my sister and mother.

That’s why seeing the color film of Elizabeth’s coronation with Daddy became one of my most treasured memories.  Going downtown and plunging into a darkened movie theater in the middle of the day with my father, but no other member of the family, was extraordinary.

When Daddy died later that year, I was staggered by losing him.  As I grew older, it became increasingly clear that our afternoon watching Elizabeth crowned in Westminster Abbey was an afternoon I’d never forget.

As we celebrate Father’s Day this year, I recall once again how lucky I was to have that golden time with him and him alone.

 

The Old Man and the Movies

The Sundance Kid rides again!  Not on horseback but in a 1970s sedan.

In his most recent film (and perhaps his last), The Old Man and the Gun, Robert Redford plays a charming real-life bank robber.  Announcing his retirement from acting, he told Ruthe Stein of the San Francisco Chronicle that he chose the part because he identified with the bank robber’s rebellious spirit, and he wanted his last film to be “quirky and upbeat and fun.”

I have a special fondness for Redford that goes back to his role in his first memorable film, Butch Cassidy and the Sundance Kid.  Redford has called it the “first real film experience I ever had” and “the most fun on any film I’ve had.  It changed my life.”

When I saw the film in Chicago shortly after its release, I was struck by the performances of both Paul Newman (my perennial favorite) as Butch Cassidy and newcomer Redford as the Sundance Kid.

Unbeknown to me, there was a real live double of the Sundance Kid out there, waiting to meet me when I moved to LA a short time later:  my soon-to-be husband.  Once he added a mustache to his otherwise great looks, his resemblance to Redford in that film was uncanny, and I dubbed him the Sundance Kid.  I even acquired a poster of Redford in that role to affix to my office wall as a reminder of my new-found love.

The 1969 film, now fifty years old, holds up very well.  In perhaps its most memorable scene, the two leading men plunge from a cliff into roiling waters below, shouting a now more commonly accepted expletive for probably the first time in movie history.

Newman and Redford play leaders of the “Hole in the Wall Gang,” a group that robs banks, successfully for the most part, until robbing a train gets them into serious trouble.  They alienate Mr. E. H. Harrison of the Union Pacific Railroad, who hires special trackers who relentlessly follow Butch and Sundance.

An endearing scene takes place when the two men approach the home of Etta Place, Sundance’s wife.  News stories have alarmed Etta.  “The papers said they had you.  They said you were dead.”  Sundance’s first reaction:  “Don’t make a big thing of it.”  He pauses and reflects.  Then he says, “No.  Make a big thing of it.”  And they enthusiastically embrace.

Redford’s brilliant career includes a large number of notable Hollywood films.  It’s easy for me to name some favorites:  Downhill Racer in 1969, The Candidate in 1972, The Way We Were and The Sting in 1973, All the President’s Men in 1974, The Natural in 1984, and Out of Africa in 1985.  (A few of these especially resonate with me.)  And in All is Lost, as recently as 2013, Redford shines as an older man on the verge of dying alone in troubled ocean waters. Outstanding performances, each and every one.

In recent years, as I became an active supporter of NRDC (the Natural Resources Defense Council), an entity vigorously working on behalf of the environment, I began hearing from Redford, who aligned himself with NRDC’s goals and requested additional donations.  I commend him for his strong support for protecting the future of our country and our planet.  His efforts on behalf of the environment seem even more critical now, as we face increasingly dire problems caused by climate change.

As for Redford’s movie career, my hope is that he chooses not to retire.  Most movie-goers would welcome seeing new films that include him, even in a small role.  In the meantime, I encourage every film buff to see The Old Man and the Gun.  Featuring a number of brief scenes from his earlier movies (plugged into the movie by director David Lowery), the film is a great reminder of a storied Hollywood career.  A career that began with the Sundance Kid.

 

The Battle of the Sexes: One more take on it

When Billie Jean King met Bobby Riggs on a tennis court at the Houston Astrodome on September 20, 1973, I was miles away in San Diego.  I’d just finished teaching a class of law school students about Poverty Law, and I was blissfully pregnant with my first child.

I was watching the clock, assessing the time it would take me to drive from the law school on the beautiful campus of the University of San Diego to our recently-rented apartment in seaside La Jolla.  Waiting at home for me was my handsome and super-smart husband (I’ll call him Marv), finished for the day with teaching math students at UCSD, the University of California at San Diego.

We were both Professors Alexander that year, and I took delight in answering our phone and hearing a student ask to speak to “Professor Alexander.”  My somewhat amused response:  “Which one?”

Marv had snacks and drinks ready for the two of us to munch on and imbibe during the televised tennis match.  The drinks included nothing alcoholic for me.  Not because the medical profession had pronounced that alcohol was detrimental for growing fetuses.  As I recall, that came later.  I avoided alcoholic drinks simply because I had no desire to drink them during my pregnancy.

Was it instinct or just dumb luck?  When we later that year saw the film “Cinderella Liberty,” in which an often-drunk woman’s pregnancy ends in tragedy, my choice to avoid alcohol was clearly vindicated.

I drove home from USD with as much speed as I could safely muster, arriving in time to watch the much-hyped tennis match dubbed the “Battle of the Sexes.”  In the 2017 film that tells the story of the match, Emma Stone captures the Billie Jean King role perfectly.  She portrays with aplomb not only King’s triumph over Riggs in that tennis match but also her initial uncertainty over her decision to compete against him and her continuing struggle to ensure that women’s tennis be given equal status with men’s.

As one of the estimated 50 million viewers who watched King on ABC television that night, I can’t imagine any other Hollywood star assuming the role with greater success.  Emma Stone embodies Billie Jean King to perfection, and I hope her performance garners the attention of countless moviegoers, including many too young to remember  the match that took place in 1973.

Steve Carell carries off his role as Bobby Riggs in the film equally well, depicting the outrageous antics of the 55-year-old Riggs, who initiated the concept of the “Battle of the Sexes.”  But the focus here has to be on Billie Jean, the Wonder-Woman-like heroine of her day.  By accepting Riggs’s challenge, and then defeating him, she became the mid-twentieth-century symbol of women’s strength and perseverance, advancing the cause of women in sports (and in American culture at large) as much as she advanced her own.  Watching the battle on TV with my adored husband, my hoped-for child growing inside me, I was ecstatic when Billie Jean defeated Riggs before 90 million viewers worldwide.

As my pregnancy advanced, I was frequently asked by complete strangers, “Do you want a boy or a girl?”  I took pleasure in answering “a girl” just to see the reaction on the faces of the nosey parkers who clearly expected another response.

I was in fact hoping I would give birth to a healthy child of either sex, but I knew that I would treasure having a daughter.  When my beautiful daughter was born about seven months after the Battle of the Sexes, and when her equally beautiful sister arrived three years later, Marv and I were both on top of the world.

Maybe watching Billie Jean King in September of 1973 sealed our fate.  We really wanted her to win that battle.

Did the endorphins circulating inside me as we watched Billie Jean triumph produce a feeling of euphoria?  Euphoria that later led us to produce two Wonder-Woman-like heroines of our own?

Maybe.

Tennis, anyone?