Category Archives: 1940s

SusanLindaBarbaraCarolJudyNancy

When I was growing up, about 80 percent of the girls I knew shared one of these six names:

Susan

Linda

Barbara

Carol(e)

Judy

Nancy

I was one of the perhaps hundreds of thousands of women in my generation named Susan.  In 1945, it ranked as the #10 girls’ name in the U.S.  By 1957, it was even more popular, ranking #2.

Why did so many of us share the same names?

I trace their popularity to something that seemed to permeate the consciousness of our parents:  The bright lights of Hollywood.

When we were born, many of our parents were still emerging from the shadows cast by World War II and the financial setbacks of the Great Depression.  Our parents may have already become financially successful or they may have been continuing their attempt to achieve financial success.  Either way, they hoped for a bright future for their darling daughters.  Hollywood seemed like a glittering site where they could find names to bestow on them.

In my own case (and that of the throngs of other Susans), I blame Susan Hayward.  By 1940, Susan Hayward had begun to earn a place for herself in Hollywood.  She went on to star in a series of box-office hits during the 1940s and ‘50s.  In most of her roles, she was a notable standout among the film actresses of her day—courageous, smart, and fiercely independent, frequently paired with some of Hollywood’s top male stars.  Her flaming red hair and other appealing features helped bolster her status as a Hollywood star.

What about the other names?  The reliance on Hollywood’s women stars is equally clear when we consider at least four of the other names.

Linda:  Hollywood was fascinated with Linda Darnell, and she was featured in a wide range of films during the 1940s and ‘50s.  The Mark of Zorro (1940) was her first opportunity to star with leading man Tyrone Power, with whom she was paired in a number of films.  Coincidentally, Tyrone Power later married Linda Christian, another Hollywood star during the ‘40s and ‘50s.

Barbara:  One of Hollywood’s megastars, Barbara Stanwyck, starred in 85 films, including many during the 1940s and ‘50s.  She was admired for her roles as a strong leading woman in films like Double Indemnity (1944).   Incidentally, Ruth Handler created the Barbie doll in 1959, probably influenced by the popularity of the name Barbara during the ‘40s and ‘50s.

Carol(e):  Carole Lombard, a huge star in the 1930s, was originally named Carol but was once mistakenly credited as Carole, and she adopted that spelling because she decided she liked it.  Her popularity zoomed until a plane crash in 1942 ended her life as well as her radiant career.  Her husband, Hollywood leading man Clark Gable, remarried twice but reportedly never got over Carole’s death.

Judy:  The name Judy was undoubtedly inspired by Hollywood legend Judy Garland.  Need I say more?

Nancy:  It’s harder to track any film stars named Nancy.  Nancy Davis, who married Ronald Reagan, didn’t begin making movies until the late ‘40s and she never became a big star.  Other Nancys in Hollywood films during the ‘40s and ‘50s were fairly unknown actresses who never achieved box-office success.  Maybe they were among the countless women who rejected the Hollywood casting couch and fell into oblivion as a result.  Parents may have chosen the name Nancy simply because they liked the good vibe the name Nancy offered, in part due to the popularity of the Nancy Drew books.  As a teenage sleuth, Nancy Drew gave off a great vibe.  A total of 175 books featuring her began publishing in 1930 and continued for decades.

Among my cohorts, many other girls’ names had their moment in the sun:  Karen, Julie, Natalie, Ann/Anne, Janice, Marcia/Marsha, Elizabeth (in one form or another), and Katherine (ditto).  But they couldn’t compete with the six favorites.

Boys’ names pretty much stuck to more traditional favorites. Most popular from the 1940s through the 1960s were James, Robert, John, William, and Richard, with Michael and David gaining strength in the ‘60s.

Both boys’ and girls’ names had changed radically by 2000.  Boys were most often named Jacob, Joshua, and Matthew.  Girls’ favored names were Emily, Hannah, and Madison.

Some parents began using names derived from pop culture, especially TV series (supplanting Hollywood films)–names like Phoebe in “Friends.”

As for Susan, it’s plunged in popularity since its heyday, when it ranked #2.  By 2023, it had fallen to #1708.  

Nobody seems to name a daughter Susan anymore. 

But with the recent revival of venerable names like Amelia, Evelyn, Charlotte, and Olivia, who knows?  Maybe Susan will live again! 

On “thin ice”?

                    

When the events in our world become too unpleasant, I retreat to a comforting place:  old movies.

I’ve been a movie buff my entire life, and I’ve previously written about some of my favorite films.  

An invaluable source of old movies has been the TV channel TCM, Turner Classic Movies.  A recent threat to the status of TCM arose when a new CEO assumed a degree of power over it.  Maureen Dowd described the situation perfectly in her column in The New York Times on June 24, “Save Turner Classic Movies.”  In her column, Dowd proclaimed that TCM is “a public good, like libraries,” adding that “It enshrines our cinematic past.” She relates that she has spoken with David Zaslav, the new CEO in charge, and he promised to preserve it.  Steven Spielberg and Martin Scorsese have just announced that they will work for free to help TCM survive.

Watching old films is illuminating:  They almost never feature extreme violence and the supernatural, two features prominent in current films.  Although I’m frequently disturbed by the depiction of women as either frivolous or annoying (also apparent when I rewatched on DVD the first season of TV’s Twilight Zone), there’s almost no graphic depictions of the worst kinds of aggressive sexual violence toward women.  Women didn’t have the role in society that we (for the most part) play today, and that’s reflected in the films from earlier eras.  Still, women frequently played strong characters in many of the classic films I’ve watched.  As Dowd noted, film noir femmes fatales “taught me that women could be tough and play the game better than any man.”

I fervently hope that the threat to TCM does in fact vanish because I rely on TCM to find films featuring absorbing plots, excellent dialogue, and highly regarded film stars of the past.  Male stars like Paul Newman, Montgomery Clift, John Garfield, and Humphrey Bogart. I’ll add Tyrone Power, William Holden, Cary Grant, Kirk Douglas, Marlon Brando, Spencer Tracy, Sidney Poitier, Jack Lemmon, James Stewart, Fred McMurray, Stewart Granger, Orson Welles, Ray Milland, Gregory Peck, Burt Lancaster, Henry Fonda, Clark Gable, James Mason, Joseph Cotten, Charleton Heston, and Edward G. Robinson. And if Robert Redford has truly left making feature films, I’d add him also.

Unfortunately, many women stars haven’t survived nearly as well.  Some may have been cast aside because they wouldn’t comply with the bedroom demands of certain Hollywood moguls.  But women like Ingrid Bergman, Katharine Hepburn, Ida Lupino, Bette Davis, Joan Crawford, Judy Holliday, Susan Hayward, Vivien Leigh, Barbara Stanwyck, Olivia de Havilland, Anne Baxter, Deborah Kerr, Audrey Hepburn, Geraldine Page, Lauren Bacall, Elizabeth Taylor, Lee Remick, Eve Arden, Myrna Loy, Claire Trevor, even Marilyn Monroe survived and played strong female characters in a variety of classic films.  (I’m probably forgetting a few of your favorite stars of the past, both male and female.  Sorry.)

I’m currently obsessed with Tyrone Power, a great actor who starred in 48 feature films during his short lifetime. His handsome face and endearing persona simply beam from my TV screen.  Although I was already aware of some of Tyrone Power’s (hereinafter “TP”) best films, TCM has helped me discover a great number of movies I’d never encountered.

In my quest to find more of TP’s films, I’ve found many on Netflix DVDs (sadly ending in September).  I also learned that the San Francisco Public Library houses some of them on DVD, and I can request that these show up at my local branch. The result is that, thanks to TCM and the two other sources, I’ve recently been immersed in TP’s films.  Some of the DVDs also include wonderful special features, while TCM hosts like Ben Mankiewicz sometimes add “inside Hollywood” stories.

I’ll list just a few of TP’s films that you’re probably never heard of.  (I didn’t.)  I recommend that you seek them out if you can.  In chronological order, they are:

In Old Chicago (1938): A fictionalized story of brothers who become political leaders in Chicago, ending with an amazing depiction of the Chicago Fire of 1871

Rose of Washington Square (1939): A music-filled film that centers on the same life-story of Fanny Brice as that told in “Funny Girl,” with Alice Faye as Rose (Fanny) and TP in the Nick Arnstein role.  By the way, when Fanny Brice sued Fox for $750,000, the studio settled out of court for an undisclosed amount

The Rains Came (1939): TP plays a handsome MD in India, and a haughty Myrna Loy falls hard for him; it features astounding special effects of flooding rains and an earthquake that earned the very first special-effects Oscar

The Mark of Zorro (1940): An exciting updated version of the story that starred Douglas Fairbanks as Zorro in the 1920 silent version; Basil Rathbone, who sparred with TP in a fierce sword-duel, said that “Power was the most agile man with a sword I’ve ever faced…. He could have fenced Errol Flynn into a cocked hat.”

Blood and Sand (1941): TP is a wholly believable matador in glorious Technicolor

And now for a unique film I was surprised to come across:  Thin Ice (1937).  Here TP is paired with Olympics gold-medal-winning Norwegian ice skater, Sonja Henie.  Henie set records as a three-time Olympic champion in women’s singles, and Hollywood welcomed her as a star from 1936 to 1943. Thin Ice is set at a resort in the Alps, where Sonja arrives to teach ice skating.  While skiing, she encounters TP, a prince from somewhere in Europe.  Clothed in casual skiing garb, he introduces himself as Rudy, and he charmingly proceeds to keep his real identity as Prince Rudolph a secret.  

During the film, Henie performs as the star of several ice shows at the resort, skating to music by Borodin (before “Stranger in Paradise” used the same melody in the Broadway musical “Kismet”) and other classical composers. TP sits in the audience disguised in absurd Groucho Marx-type outfits, but of course the two finally meet up as prince and skating star and fall in love.

I find this film of special interest because Sonja Henie played a small but memorable part in my life. When I was very young, my parents took me to see one of the skating extravaganzas she starred in when her life as a movie star was over.  My father remarkably saved the souvenir program from the extravaganza, the “Hollywood Ice Revue,” and I found it years later in a scrapbook he kept for our family.  I’ve preserved this program, perfectly intact, ever since.  And although I’ve forgotten almost the entire show, I retain a vivid memory of one thin slice of it when Henie came out onto the ice.  She was perched at the top of an enormous ice-cream soda glass, sitting on the whipped cream at the very top, before somehow getting to the ice in order to skate. 

Tyrone Power left Hollywood to serve in the Marines during World War II.  His distinguished service record led to a bunch of medals.  In 1946, he returned to Hollywood and resumed a successful career in films.  But he also left on occasion to work as an actor in several notable stage productions.

Memorable films during this period include these:

Nightmare Alley (1947): TP’s favorite role, and one he had to fight to make. Darryl Zanuck, who ran Fox, viewed TP as his “darling boy” and tried to confine his roles to the lightweight ones in his early films.  But TP was determined to play more challenging roles, and he finally succeeded in making Nightmare Alley.  The studio didn’t promote it and, as a result, it wasn’t a box office hit, but it has gained acclaim and is now recognized as a film noir classic. The recent remake, starring Bradley Cooper, lacks the exciting flavor of the original.

Rawhide (1951): A wonderful pairing of TP and Susan Hayward (another of my favorites) in an unconventional Western setting; they’re hostages held by a murderous gang seeking to steal a shipment of gold (BTW, it has no connection to the TV series sharing its title)

TP’s last completed film, Witness for the Prosecution (1957), is an exciting drama ending with a riveting courtroom scene. In the story, based on a play by Agatha Christie, TP is the lead, playing a criminal defendant accused of murder.  Although Charles Laughton and Marlene Dietrich, in starring roles, have probably garnered more attention for this film than TP, he plays his part brilliantly, directed by the esteemed Billy Wilder.

Tyrone Power tragically died at the age of 44 while making a film in Spain in 1958.  I’ll skip the harrowing details of his death; you can read about them online.

I’ll simply state that watching him in one or more of his movies will probably lead you to admire him as a brilliant and accomplished actor who illuminated every film he was in. 

And if you want to fall in love with Tyrone Power, as I have, please watch one more film:  The Eddy Duchin Story (1956).  In this film, TP assumes the role of the real-life pianist who achieved fame as a bandleader and musician in NYC in the 1930s.  Co-starring with Kim Novak as his wife, TP is bound to win you over.

In my view, Tyrone Power’s reputation is secure.

On “thin ice”?  Not the way I see it.   

Is It Time to Resurrect the “Housedress”?

The HBO miniseries, “The Plot Against America,” which appeared earlier this year, focused on life in America in the early 1940s.  Adapted from the 2005 novel by Philip Roth, the storyline was terrifying, highlighting the possibility that a fascist anti-Semitic regime could assume control over politics in our country.

New York Times critic A.O. Scott, describing HBO’s adaptation as “mostly faithful” to the novel, observed that the world it portrayed looked familiar, yet different, to us today.  He noted in particular “the clothes” worn by the people inhabiting that world, as well as the cars, the cigarettes, and what he called “the household arrangements,” evoking a period “encrusted with…nostalgia.”

The series was, in my view, a stunning depiction of that era, along with a chilling prediction of what might have happened.  Thankfully, Roth’s fictional prediction never came true, and I hope it never will.

One thing I took away from the series was how authentically it created the images from that time.  I was born years later than both Philip Roth and his character, the 8-year-old Philip.  But I can recall images from the 1950s, and I’ve seen countless films dating from the 1940s and 1950s, as well as TV shows like “I Love Lucy.”

A couple of things in the series stand out.  First, people got their news from newspapers and the radio.  The leading characters appear in a number of scenes reading the daily newspapers that influenced their view of the world.  They also listened attentively to the radio for news and other information.  The radio broadcaster Walter Winchell even plays an important part in the story.

The other thing that stands out is the clothing worn by the characters in “Plot.”  Especially the women characters.  These women tended to have two types of wardrobes.  One represented the clothing they wore at home, where they generally focused on housecleaning, cooking, and tending to their children.  The other represented what they would wear when they left home, entering the outside world for a variety of reasons.

The wardrobe worn at home looked extremely familiar.  My mother clung to that wardrobe for decades.  She, like the women in “Plot,” wore housedresses at home.  These were cotton dresses, usually in a floral or other subdued print, that were either buttoned or wrapped around the body in some fashion.  In an era before pants became acceptable for women (Katharine Hepburn being a notable exception), women wore dresses or skirts, even to do housework at home.

Only when they left home, to go to somewhere like an office or a bank, did they garb themselves in other clothes.  In this wardrobe, they tended to wear stylish dresses made with non-cotton fabrics, or skirt suits with blouses, along with hats and white gloves. Working women employed in office-type settings (there were a few, like the character brilliantly played by Winona Ryder in “Plot”) wore these clothes to work every day. (Women employed in other settings of course wore clothes appropriate to their workplaces.)

Now, with most of us staying home for the most part, I wonder:  Is it time to resurrect the housedress?

Here are some reasons why it might be:

  1. Warmer weather is approaching, or may have already arrived, depending on where you live.
  2. Relying on heavy clothing like sweatshirts and sweatpants, which many of us have been relying on during our self-isolation at home, will become impractical because that clothing will be uncomfortably hot.
  3. Pajamas and nightgowns aren’t a good idea for all-day wear.  We should save them for bedtime, when we need to separate our daytime experience from the need to get some sleep.
  4. The housedress offers an inviting choice for women who want to stay comfortably at home, wearing cool cotton (or cotton-blend) dresses that allow them to move as comfortably as they do in sweat clothes, all day long.

I concede that comfortable shorts and t-shirts might fit the bill, for men as well as women.  But I suggest that women consider an alternative.  They may want to give housedresses a try.

Ideally, a woman will be able to choose from a wide range of cheerful fabric designs and colors.  If she can track down one that appeals to her, she just might be convinced by its comfort and then tempted to wear more of them.

I’ve already adopted my own version of the housedress.  I rummaged through one of my closets and found a few items I haven’t worn in years.  I’ve always called them “robes,” although they’ve also been called housecoats or other names.  My mother for some reason liked to call them “dusters.”  My husband’s aunt liked to wear what she called “snap coats.”

But in the big picture, we’re really talking about the same thing.  Cotton robes/dresses in a variety of designs and prints. Today they’re usually fastened with snaps.  Easy in, easy out.

And most of them have pockets!  (As I’ve written before, all women’s clothes should have pockets.)  [Please see my blog post “Pockets!” https://susanjustwrites.wordpress.com/2018/01/ ]

I plucked a couple of these out of my closet, some with the brand name Models Coats.  I had never even worn one of them.  (A tag was still attached, featuring the silly slogan, “If it’s not Models Coat…it’s not!”)  But I’ll wear it now.

By the way, I’ve checked “Models Coats” on the internet, and an amazing variety of “housedresses,” or whatever you choose to call them—Models Coats and other brands–is offered online.  So it appears that some women have been purchasing them all along.

Now here’s a bit of cultural history:  My mother kept her 1950s-style housedresses well into the 1990s.  I know that because I discovered them in her closet when we visited her Chicago apartment one cold winter day in the ‘90s.  Mom lived in a 1920s-era apartment building, filled with radiators that ensured overheated air in her apartment.  [Please see my blog post “Coal:  A Personal History,” discussing the overheated air that coal-based radiators chugged out:  https://susanjustwrites.wordpress.com/2020/01/29/coal-a-personal-history/ ]

My daughters and I had worn clothing appropriate for a cold winter day in Chicago.  But as we sat in Mom’s overheated living room, we began to peel off our sweaters and other warm duds.  (My husband didn’t do any peeling.  He was too smart to have dressed as warmly as we had.)

It finally occurred to me that Mom might have saved her housedresses from long ago.  Maybe she even continued to wear them.  So I searched her closet and found three of them.  My daughters and I promptly changed, and we immediately felt much better.  But when we caught sight of ourselves, we laughed ourselves silly.  We looked a lot like the model in a Wendy’s TV commercial we called “Russian fashion show.”

In our favorite Wendy’s commercial, dating from 1990, Russian music plays in the background while a hefty woman dressed in a military uniform announces the fashion show in a heavy Russian accent.  The “model” comes down the runway wearing “day wear,” “evening wear,” and “beachwear.”  What’s hilariously funny is that she wears the same drab dress, along with a matching babushka, in each setting.  For “evening wear,” the only change is that she waves a flashlight around.  And for “beachwear,” she’s clutching a beach ball.

Wendy’s used clever commercials like this one to promote their slogan:  “Having no choice is no fun,” clearly implying that Wendy’s offered choices its fast-food competitors didn’t.  I don’t know whether these commercials helped Wendy’s bottom line, but they certainly afforded our family many, many laughs.

[If you need some laughs right now, you can find these commercials on YouTube.  Just enter words like “Wendy’s TV commercials” and “Russian fashion show.”]

Mom’s housedresses weren’t as drab as the dress worn by the model in our favorite commercial.   They tended to feature brightly colored prints.  Admittedly, they weren’t examples of trend-setting fashion.  But they certainly were cool and comfortable

In our current crisis, we need to be creative and come up with new solutions to new problems.  For those women seeking something comfortable to wear, something different from what they’ve been wearing, colorful housedresses just might be the right choice.

Waiting for a Vaccine

 

While the world, in the midst of a deadly pandemic, turns to science and medicine to find a vaccine that would make us all safe, I can’t help remembering a long-ago time in my life when the world faced another deadly disease.

And I vividly remember how a vaccine, the result of years of dedicated research, led to the triumphant defeat of that disease.

Covid-19 poses a special threat.  The U.S. has just surpassed one million cases, according to The Washington Post.  It’s a new and unknown virus that has baffled medical researchers, and those of us who wake up every day feeling OK are left wondering whether we’re asymptomatic carriers of the virus or just damned lucky.  So far.

Testing of the entire population is essential, as is the development of effective therapies for treating those who are diagnosed as positive.  But our ultimate salvation will come with the development of a vaccine.

Overwhelming everything else right now is an oppressive feeling of fear.  Fear that the slightest contact with the virus can cause a horrible assault on one’s body, possibly leading to a gruesome hospitalization and, finally, death.

I recognize that feeling of fear.  Anyone growing up in America in the late 1940s and the early 1950s will recognize it.

Those of us who were conscious at that time remember the scourge of polio.  Some may have memories of that time that are as vivid as mine.  Others may have suppressed the ugly memories associated with the fear of polio.  And although the fear caused by Covid-19 today is infinitely worse, the fear of polio was in many ways the same.

People were aware of the disease called polio—the common name for poliomyelitis (originally and mistakenly called infantile paralysis; it didn’t affect only the young) — for a long time.  It was noted as early as the 19th century, and in 1908 two scientists identified a virus as its cause.

Before polio vaccines were available,  outbreaks in the U.S. caused more than 15,000 cases of paralysis every year.  In the late 1940s, these outbreaks increased in frequency and size, resulting in an average of 35,000 victims of paralysis each year.  Parents feared letting their children go outside, especially in the summer, when the virus seemed to peak, and some public health official imposed quarantines.

Polio appeared in several different forms.  About 95% of the cases were asymptomatic.  Others were mild, causing ordinary virus-like symptoms, and most people recovered quickly.  But some victims contracted a more serious form of the disease.  They suffered temporary or permanent paralysis and even death.  Many survivors were disabled for life, and they became a visible reminder of the enormous toll polio took on children’s lives.

The polio virus is highly infectious, spreading through contact between people, generally entering the body through the mouth.  A cure for it has never been found, so the ultimate goal has always been prevention via a vaccine.  Thanks to the vaccine first developed in the 1950s by Jonas Salk, polio was eventually eliminated from the Western Hemisphere in 1994.  It continues to circulate in a few countries elsewhere in the world, where vaccination programs aim to eliminate these last pockets because there is always a risk that it can spread within non-vaccinated populations.

[When HIV-AIDS first appeared, it created the same sort of fear.  It was a new disease with an unknown cause, and this led to widespread fear.  There is still no vaccine, although research efforts continue.  Notably, Jonas Salk spent the last years of his life searching for a vaccine against AIDS.  Until there is a vaccine, the development of life-saving drugs has lessened fear of the disease.]

When I was growing up, polio was an omnipresent and very scary disease.  Every year, children and their parents received warnings from public health officials, especially in the summer.  We were warned against going to communal swimming pools and large gatherings where the virus might spread.

We saw images on TV of polio’s unlucky victims.  Even though TV images back then were in black and white, they were clear enough to show kids my age who were suddenly trapped inside a huge piece of machinery called an iron lung, watched over by nurses who attended to their basic needs while they struggled to breathe.  Then there were the images of young people valiantly trying to walk on crutches, as well as those confined to wheelchairs.  They were the lucky ones.  Because we knew that the disease also killed a lot of people.

So every summer, I worried about catching polio, and when colder weather returned each fall, I was grateful that I had survived one more summer without catching it.

I was too young to remember President Franklin D. Roosevelt, but I later learned that he had contracted polio in 1921 at the age of 39.  He had a serious case, causing paralysis, and although he was open about having had polio, he has been criticized for concealing how extensive his disability really was.

Roosevelt founded the National Foundation for Infantile Paralysis, and it soon became a charity called the March of Dimes.  The catch phrase “march of dimes” was coined by popular actor/comedian/singer Eddie Cantor, who worked vigorously on the campaign to raise funds for research.  Using a name like that of the well-known newsreel The March of Time, Cantor announced on a 1938 radio program that the March of Dimes would begin collecting dimes to support research into polio, as well as to help victims who survived the disease. (Because polio ultimately succumbed to a vaccine, the March of Dimes has evolved into an ongoing charity focused on the health of mothers and babies, specifically on preventing birth defects.)

Yes, polio was defeated by a vaccine.  For years, the March of Dimes funded medical research aimed at a vaccine, and one of the recipients of its funds was a young physician at the University Of Pittsburgh School Of Medicine named Jonas Salk.

Salk became a superhero when he announced on April 12, 1955, that his research had led to the creation of a vaccine that was “safe, effective, and potent.”

Salk had worked toward the goal of a vaccine for years, especially after 1947, when he was recruited to be the director of the school’s Virus Research Laboratory.  There he created a vaccine composed of “killed” polio virus.  He first administered it to volunteers who included himself, his wife, and their children.  All of them developed anti-polio antibodies and experienced no negative reactions to the vaccine. Then, in 1954, a massive field trial tested the vaccine on over one million children between six and nine, allowing Salk to make his astonishing announcement in 1955.

I remember the day I first learned about the Salk vaccine. It was earthshaking.  It changed everything.  It represented a tremendous scientific breakthrough that, over time, relieved the anxiety of millions of American children and their parents.

But it wasn’t immediately available.  It took about two years before enough of the vaccine was produced to make it available to everyone, and the number of polio cases during those two years averaged 45,000.

Because we couldn’t get injections of the vaccine for some time, the fear of polio lingered.  Before I could get my own injection, I recall sitting in my school gym one day, looking around at the other students, and wondering whether I might still catch it from one of them.

My reaction was eerily like John Kerry’s demand when he testified before a Senate committee in 1971:  “How do you ask a man to be the last man to die in Vietnam?”  I remember thinking how terrible it would be to be one of the last kids to catch polio when the vaccine already existed but I hadn’t been able to get it yet.

I eventually got my injection, and life changed irreversibly.  Never again would I live in fear of contracting polio.

In 1962, the Salk vaccine was replaced by Dr. Albert Sabin’s live attenuated vaccine, an orally-administered vaccine that was both easier to give and less expensive, and I soon received that as well.

(By the way, neither Salk nor Sabin patented their discoveries or earned any profits from them, preferring that their vaccines be made widely available at a low price rather than exploited by commercial entities like pharmaceutical companies.)

Today, confronting the Covid-19 virus, no thinking person can avoid the fear of becoming one of its victims.  But as scientists and medical doctors continue to search for a vaccine, I’m reminded of how long those of us who were children in the 1950s waited for that to happen.

Because the whole world is confronting this new and terrible virus, valiant efforts, much like those of Jonas Salk, are aimed at creating a “safe, effective and potent” vaccine.  And there are encouraging signs coming from different directions.  Scientists at Oxford University in the UK were already working on a vaccine to defeat another form of the coronavirus when Covid-19 reared its ugly head, and they have pivoted toward developing a possible vaccine to defeat the new threat.  Clinical trials may take place within the next few months.

Similarly, some Harvard researchers haven’t taken a day off since early January, working hard to develop a vaccine.  Along with the Center for Virology and Vaccine Research at the Beth Israel Deaconess Medical Center, this group plans to launch clinical trials in the fall.

While the world waits, let’s hope that a life-saving vaccine will appear much more quickly than the polio vaccine did.  With today’s improved technology, and a by-now long and successful history of creating vaccines to kill deadly viruses, maybe we can reach that goal very soon.  Only then, when we are all able to receive the benefits of an effective vaccine, will our lives truly begin to return to anything resembling “normal.”

Return to Xanadu, or Have you found your “Rosebud”?

“Rosebud”… every film buff knows the reference. In the monumental 1941 film, Citizen Kane, Charles Foster Kane repeats the word on his deathbed, recalling the beloved sled so cruelly snatched from him during his impoverished youth.  He was still obsessed with its loss, a loss that may have represented the loss of his mother’s love.

I hope you’ve never lost your “Rosebud.”  But it you have, you might look for it at Hearst Castle.

Hearst Castle?  It’s the fabulous estate built by newspaper magnate William Randolph Hearst on the central coast of California.  Most filmgoers acknowledge that it was Orson Welles’s inspiration for Charles Foster Kane’s mansion, “Xanadu.”

Today Hearst Castle is a National Historic Landmark (as well as a California Historical Landmark), and this year it’s turning 100 years old.  When I learned of this milestone, I couldn’t help recalling my two visits to that extraordinary place.

It wasn’t always called “Hearst Castle.”  Hearst inherited the original estate at San Simeon from his father (along with even more land and $11 million) when his mother died in 1919.  Together with his architect, the pioneering Julia Morgan, they greatly enhanced it during a span of over twenty years.

Hearst himself later called it “The Ranch.” After he separated from his wife in 1925, he and his mistress, Hollywood film star Marion Davies, spent time at his mansion entertaining prominent guests from the worlds of politics, literature, and film.  In addition to the mansion itself, Hearst acquired an enormous amount of priceless artwork and furnishings on an epic scale.

I first heard about Hearst’s mansion in the early 1970s when my soon-to-be husband (I’ll call him Marv) proposed that we drive up the coast from Los Angeles, where we’d met a few months earlier, to San Francisco and back.  Marv said we could stop at “San Simeon,” and our stop there turned out to be a shimmering highlight of one of the most memorable trips of my life.  Maybe that’s why I remember it so well.

We set out from LA on a beautiful sunny morning in mid-March.  Driving north on Highway 1, we visited Danish-themed Solvang and beautiful Morro Bay en route to San Simeon.

When we arrived, we walked up to a fairly small entrance and joined a few other tourists on a tour of the mansion, where we learned a lot about Hearst and his mansion’s history.  I knew something about Hearst from his role in U.S. history, especially his “yellow” journalistic efforts to embroil the U.S. in the Spanish-American War in 1898.  But before we visited San Simeon, I knew very little about his personal life.

When the tour ended, we were able to explore the outdoor areas by ourselves.  My photo album includes scenes of the two of us at “Hearst Mansion.”  Unaccompanied and unbothered by any staff or other tourists, we roamed around, taking photos of each other, choosing backdrops like the gorgeous Neptune Pool and some of the exquisite outdoor statuary.

Just after leaving the Hearst Mansion, we drove through Big Sur and relished a memorable lunch at Nepenthe.  This charming restaurant, which first opened in 1949, features an outdoor terrace offering a panoramic view of the south coast of Big Sur.  The breathtaking view is still worth a stop.

The rest of our trip included equally memorable stops in Carmel and Monterey, as well as a celebration of my birthday in San Francisco.  Visiting a couple of wineries in Napa, seeing friends in Berkeley (where Marv had spent five happy years as a grad student), and a trip down the coast to return to LA (via Andersen’s Pea Soup just off Highway 1 in Buellton) completed our remarkable trip.

But most unforgettable was our joyful decision to marry each other in a few short weeks.

Fast forward about 35 years.  I returned to Xanadu…er, Hearst Castle, during a road trip with my daughter in 2008.  This visit was very different.  First, we had to enter through a sterile structure, the visitor center, which didn’t exist at the time of my earlier trip.  In this dreary “holding pen,” we waited with a large crowd of other tourists until we were herded onto a bus, herded through the castle, and herded back onto a bus.

This new approach struck me as far too regimented.  Although my daughter was delighted to see the castle and learn about its history during our tour, we had very little chance to roam around the grounds by ourselves when the tour ended.

With the castle’s 100th anniversary coming up, some positive changes are arriving on the scene.  For example, the slate of tours has expanded to include tours with exciting new themes.  Even better:  Most tours now allow visitors free-roaming once their guided tour is over. This appears to be much like the roaming I remember from my first trip.  Visitors can admire the grounds, including the Neptune Pool (recently renovated for $10 million), for as long as they wish.  So it now promises to be a far better experience for visitors than the one I found wanting in 2008.

 

In my mind, Hearst Castle is inescapably linked with the movie Citizen Kane.  That classic film looms especially large because it turned out to play an important role in my own life.

Marv and I had met on the campus of UCLA, where we were both working, and we had rented apartments in the same building on the fringes of the campus.  Our lives, not surprisingly, often centered around UCLA.

One of our most remarkable dates involved a showing of Orson Welles’s film in a classroom building on the campus.

Sometime after we decided to get married, Marv asked me whether I wanted to see Citizen Kane.  I immediately jumped at the chance to see a film I’d only heard about but never saw, even on late-night TV.

Marv grinned and said something like, “I think you’ll like it,” adding, “There’s a surprise in it for you.”  That clearly piqued my interest, and I couldn’t wait to see it.

We took our seats in a bare-bones classroom and began to watch the film.  It was fascinating from the start, beginning with the announcement of Kane’s death on the “March of the News” (patterned after the “News of the World,” a newsreel shown in movie theaters in the 1940s). The story then flashed back to Kane’s involvement in politics, the purchase of his first newspaper (soon followed by other papers), and his marriage to his first wife.

I was totally caught up in the storyline.  Then came the surprise.  A character named Susan Alexander suddenly appeared on the screen.

My birth name is not Susan Alexander.  But I was never very fond of the last name (my father’s) I was given at birth, and I was planning to change it to Marv’s last name when we married.  Now here was a character with the name I hoped to have.

Unfortunately, she wasn’t a totally positive character, and as the story moved on, she became less and less so.  Abused by Kane, by the end of the movie she had become a pathetic alcoholic, engendering sympathy rather than antipathy.

I would have been happier to see a more positive figure with my future name on the screen.  But what’s astonishing is how the character’s name has lodged in filmgoers’ minds.

During the decades since I married Marv and assumed her name, I’ve encountered countless people who, upon meeting me, mention Citizen Kane.  I immediately know that these people (sadly, a dwindling number) have seen the film and vividly recall the name of Kane’s aspiring-soprano second wife, who was actually patterned after the wife of another tycoon, Samuel Insull.

I’ve always been happy that I took Marv’s last name and became Susan Alexander (even when I’ve been confused with other women who share my name).  And I’ve never regretted being associated with a truly great film like Citizen Kane.

 

Do you have a “Rosebud”?  I didn’t have a favorite toy that I lost during my childhood, so I’ve never obsessed over something the way Charles Foster Kane obsessed over his sled.

But if you have a “Rosebud,” I hope that you’re luckier than he was, and that someday you, unlike Kane, succeed at tracking it down.

 

 

 

 

 

 

No More Sweethearts?

The demise of the ever-popular Sweethearts, Valentine’s Day heart-shaped candy that featured messages like “BE MINE” and “TRUE LOVE,” has surprised almost everyone.

The company that has been selling them to the public since 1902, Necco, went out of business last year.  As a result, the perennial conversation hearts are no longer rolling off conveyor belts.

According to The Wall Street Journal, some fans of the candy hearts have resorted to the black market to buy up the last few batches they could get their hands on.  Even some teenagers are reportedly bummed to see them go.

Please don’t count me among these fans.  I always found Necco hearts sickeningly sweet and almost chalky whenever I bit into one.  Instead, I’ve unashamedly preferred candy hearts made of chocolate.  Any kind of chocolate.

But the news about Necco hearts has reminded me of a treasured family story.  Growing up in a modest home in East Cleveland, my husband Herb exhibited his smarts very early in life. The smarts that later propelled him from East Cleveland to a scholarship at Harvard College, a Ph.D. at Berkeley, and the life of a math professor at several leading universities.

Herb would tell me that when he was a little boy, he liked being pulled around in his red-painted wooden wagon by a neighborhood kid who was happy to do it in return for Necco wafers. Doling out the pastel-colored wafers like shiny pennies, Herb happily rode around the neighborhood in his wagon as it was pulled by the other kid.

If your first reaction is dismay that a young boy may have exploited his neighbor by giving him candy wafers in return for a cool ride in his wooden wagon, please step back for a moment.  The situation was really a win-win for both boys, probably an agreement reached at arms’ length.  Herb got his joyful wagon ride while his neighbor got a joyful bunch of candy wafers in return.

When Necco’s financial troubles led it to close its factory last summer, another candy company bought Sweehearts, Necco wafers, and some other brands.  The new company, Spangler, couldn’t ramp up production of the hearts in time for this Valentine’s Day, but it may produce them next year.

I can wait.  But if you want to tell me that I “LOOK GOOD” and that you “LOVE ME,” please don’t wait for production of Sweethearts to begin again.  Just go ahead and tell me.  Those messages are still as welcome as ever.