Category Archives: Westwood

Another love story

Part II

Watching “Love Story” again, 50 years later, I found it terribly disappointing.

The film was an enormous hit at the box office, earning $130 million—the equivalent of $1 billion today.

It was a box-office phenomenon, a tearjerker that offered its audience a classic love story filled with amorous scenes and, ultimately, tragedy.

But….

Fifty years later, I found the two leads far less appealing than I remembered.  Ryan O’Neal, who plays highly-privileged Oliver Barrett IV, and Ali MacGraw, who plays Jenny, a super-smart girl from the wrong side of the tracks, encounter each other on the Harvard campus as undergrads.  After some sparring, they quickly fall into each other’s arms.  But I didn’t find either them or their relationship overwhelmingly endearing.

Ali MacGraw’s character, Jenny, strikes me now as borderline obnoxious.  She’s constantly smirking, overly impressed with her brain-power and witty repartee. 

Even Oliver, who falls madly in love with her, calls her “the supreme Radcliffe smart-ass” and a “conceited Radcliffe bitch.”  (As you probably know, Radcliffe was the women’s college affiliated with Harvard before Harvard College itself admitted women.)

Jenny would repeatedly retaliate, ridiculing Oliver by calling him “preppie,” a term used at the time by non-privileged students in an attempt to diminish the puffed-up opinion that privileged prep-school graduates had of themselves.

Jenny may have been Hollywood’s version of a sharp young college woman of her time, but 50 years later, I view her character as unrelatable and hard to take.

I received my own degrees at a rigorous college, a demanding grad school, and a world-renowned law school.  My classmates included some of the smartest women I’ve ever known.  But I don’t recall ever encountering any bright young women who exemplified the kind of “smart-ass” behavior Jenny displays.  If they existed, they clearly stayed out of my world.

The film has other flaws.  In one scene, filmed near a doorway to Langdell Hall (the still-imposing law school building that houses its vast law library), Jenny bicycles to where Oliver is perched and proceeds to make him a peanut butter sandwich while he is so engrossed in his recognizably red Little Brown casebook that he barely notices her presence. This scene is ludicrous.  Law students are traditionally super-focused on their studies.  Well, at least some of them are.  But Oliver’s ignoring a beloved spouse who’s gone out of her way to please him in this way is offensive and totally contrary to the “loving” tone in the rest of the film.  In short, ludicrous.

The movie also became famous for its often quoted line, “Love means never having to say you’re sorry.”  The absurdity of that line struck me back in 1970 and has stayed with me ever since.  I’ve never understood why it garnered so much attention.  Don’t we all say “I’m sorry” when we’ve done something hurtful?  Especially to someone we love?

Interviewed by Ben Mankiewicz in March 2021 (on CBS Sunday Morning), both Ali MacGraw and Ryan O’Neal (still vibrant and still in touch with each other) confessed that they never understood the line either.  “What does it mean?” Mankiewicz asked.  MacGraw’s response:  “I don’t know.” 

One more thing about that famous line:  If you watch the hilarious 1972 screwball comedy “What’s Up, Doc?” you’ll probably get a kick out of a scene at the very end.  Barbra Streisand cleverly mocks the “Love means never…” line while traveling on a plane with her co-star (and “Love Story” lead) Ryan O’Neal.

Another line in the film, this one spoken by Oliver’s father, struck me as remarkable as I listened to it 50 years after the film first appeared.  When his father, played by veteran actor Ray Milland, learns that Oliver has been admitted to Harvard Law School, he tells Oliver that he’ll probably be “the first Barrett on the Supreme Court.”  Just think about this line.  Who could have predicted in 1970 that someone named Barrett would actually be appointed to the Supreme Court in 2020? (My opinion of that appointment?  No comment.)

One more thing about Jenny:  Yes, women used to give up great opportunities in order to marry Mr. Right, and many probably still do. But I was heartily disappointed that Jenny so casually gave up a scholarship to study music in Paris with Nadia Boulanger so she could stay in Cambridge while Oliver finished his law degree.

What’s worse, instead of insisting that she seize that opportunity, Oliver selfishly thought of himself first, begging her not to leave him.  Jenny winds up teaching at a children’s school instead of pursuing her undeniable musical talent.

I like to think that today (at least before the pandemic changed things) a smart young Jenny would tell Oliver, “I’m sorry, darling, but I really don’t want to give up this fabulous opportunity.  Why don’t you meet me in Paris?  Or wait for me here in Cambridge for a year or two?  We can then pick up where we left off.” 

But I’m probably being unfair to most of the young women of that era.  I’m certainly aware that the prevailing culture in 1970 did not encourage that sort of decision.

When I decided to marry Marv in 1971 and leave my job at UCLA to move with him to Ann Arbor, Michigan, I wasn’t giving up anything like Paris and Nadia Boulanger.  For one thing, I had had a perilous experience in LA with a major earthquake and its aftershocks.  [Please see my post, “I Felt the Earth Move under My Feet,” July 17, 2019.]  I was also aware of other negative features of life in LA.

And shortly after Marv asked me to marry him, we set off on an eight-day road trip from LA to San Francisco, via Route 1, along the spectacular California coast.  Spending every minute of those eight days together convinced me that Marv and I were truly meant to be together. (On one memorable occasion, while dining at The French Poodle restaurant in Carmel, Marv insisted that the server let me, not him, taste our wine before accepting it for our dinner. In 1971, this was absolutely stunning.) 

So I decided, on balance, that moving with Marv to Ann Arbor would mean moving to a tranquil, leafy-green, and non-shaky place where I could live with the man I adored.  The man who clearly adored me, too.

I was certain that I would find interesting and meaningful work to do, and I did.  

Both of us hoped to return to California after a few years in Ann Arbor, where Marv was a tenured member of the University of Michigan math faculty.  (He’d been at UCLA in a special one-year program and had to return to Ann Arbor in 1971.) 

But when that didn’t work out, and we jointly decided to leave Ann Arbor, we settled elsewhere—happily–because it meant that we could stay together.

I’ve made many unwise choices during my life.  The list is a long one.  But choosing to marry Marv, leave LA, and live with him for the rest of our gloriously happy married life was not one of them. 

The unwise choices were my own, and loving Marv was never the reason why I made any of them. 

On the contrary, life with Marv was in many ways the magical life I envisioned when we shared dinner for the first time at Le Cellier in Santa Monica in October 1970.

It was, in the end, and forever, another love story.

Postscript:  If Marv were still here, we’d be celebrating our 50th wedding anniversary this month.

Another love story

December 2020 marked 50 years since the release of the film “Love Story” in December 1970.  This film played a role in the burgeoning romance between me and the astonishing man who became my husband a few months later.  I’ll call him Marv.

Part I

We waited in a long line outside the theater in chilly Westwood.  The air was nothing like the frigid nighttime air that would have enveloped us in Chicago, or Boston, or Cleveland. But we were in LA, and for LA it was a chilly December night.

We didn’t mind waiting. We were too enthralled with each other, with Westwood, and with the prospect of seeing “Love Story” on the big screen. 

I’d met Marv two months earlier at the Chancellor’s Reception on the UCLA campus. The reception was intended for faculty only, but the director of my legal-services support program at the law school was a member of the faculty, and he circulated his invitation to all of us working in the program.

I’d moved from Chicago in late August and was eager to meet new people in LA. The reception was taking place on a Sunday afternoon in October, and I decided to show up.  I purposely wore my incredibly fetching black sleeveless miniskirt dress with bright red pockets and made my way to the campus under a radiant California sun.

I looked around.  I didn’t know anyone there—I’d been in LA for only six weeks.  I wandered over to the “cookie table” and was pondering which cookies to sample when a woman approached me.  “Are you by yourself because you want to be, or would you like to meet some other people?” she asked.

I immediately responded that I’d like to meet other people, and she led me to a group of four men. She began by introducing her husband, a bearded middle-aged math professor, who was accompanied by three much younger men. As I glanced at the younger men, I instantly recognized one of them–a good-looking guy I’d seen around my apartment building near the campus.

The professor explained that these young men were there because they were new math faculty, and he asked me why I was there. I told him I was working at the law school.  He then asked where I’d gone to law school. When I said Harvard, he turned to the good-looking guy and said, “Marv went to Harvard, too.”

Thus began my bond with Marv.  We had Harvard in common.

I’d noticed Marv around our building but, as it turned out, he’d never noticed me. I’d seen him—alone—diving into the building’s small pool, and I’d seen him walking back and forth along a pathway that connected our apartment building (near the corner of Kelton and Gayley) to the campus.  Sometimes he’d been smoking a pipe as he walked.

I sometimes wondered: How could he help noticing an adorable redhead like me?  But I later decided it was just fine that he never noticed me because that meant he wasn’t noticing any other young women either.

Even later, I figured out why he’d been totally unaware of me.  Whenever he was by himself–in this case, walking to and from campus by himself–he was thinking about math.  Marv was a brilliant mathematician who almost never stopped thinking about math.

When we began talking at the Chancellor’s Reception, Marv discovered what I already knew—we lived in the same apartment building.  He smiled a lot and let me know that he wanted to see me sometime.

Did I give him my phone number?  I must have because a day or two later he called and asked me to go to dinner.

We agreed that I would meet him at his apartment and make our dinner plans there.  So on Saturday night I walked a short distance from my apartment to his apartment on the same floor. 

Marv and I had both searched for a studio apartment in Westwood at the same time. At the end of my search, I decided that I preferred the building on Kelton.  Hoping to rent a relatively inexpensive studio there, I returned and learned that the last studio had just been rented.  It turned out that the renter was Marv. 

So, because someone (namely Marv) had just rented the last available studio in that building, I had to decide whether to rent a one-bedroom I could barely afford.  It was a stretch for me, financially.  But I decided to go ahead and rent it. 

Destiny? 

When he answered his door, Marv welcomed me and handed me a copy of a paperback book, “101 Nights in California.”  We sat together on his sofa, looking through the book’s list of restaurants, along with their menus.  “You pick wherever you want to go,” he said.

My jaw nearly dropped.  It was 1970, and it was almost unimaginable that a man would say that to a brand new date, allowing her to choose the restaurant where they’d dine that night.  I knew immediately that Marv just might be the right man for me.  He was certainly unlike anyone I’d ever dated before.

I’d already dated some pretty good guys.  But when men met me during my years at law school, or later learned that I was a lawyer, only the few who were immensely secure chose to date me.  Others fell by the wayside.

Marv was completely secure and non-threatened by someone like me.  He actually relished having a smart woman in his life.  And that never changed.

That evening, I chose a French restaurant in Santa Monica called Le Cellier.  How was our dinner there?  In short, it was magical.  We not only had a splendid French meal, but we also used our time together to learn a lot about each other.  My hunch that Marv was possibly the perfect man for me was proving to be correct.

We proceeded to have one promising date after another.  Dinner at Mario’s, a small Italian restaurant in Westwood.  A Halloween party at a colleague’s home in Pacific Palisades.  Viewing the startling film “Joe,” starring Peter Boyle.  (We later ran into Boyle when we ate at a health-food restaurant in LA.)

By December we were hovering on the precipice of falling in love.  We’d heard the buzz about “Love Story,” and both of us were eager to see it.  So there we were, waiting in a long line of moviegoers at the Westwood Village Theater that chilly night.

The plot of “Love Story” wasn’t totally unknown to me.  I’d already read Erich Segal’s story shortly before I’d moved to LA from Chicago.  I was casually leafing through a magazine when I came across the story.

It grabbed me right away.  It was set, after all, in Cambridge, and its leading characters were students at Harvard.  I’d spent three years there getting my law degree, and I’d finished just a few years earlier.

The story was sappy and had a terribly sad ending.  But I relished the Harvard setting, and I couldn’t wait to see the film based on it.  When Marv learned a little bit about it, he wanted to see it too.

We soon found ourselves inside the theater, every seat filled with excited patrons like us, and began watching Hollywood’s “Love Story,” our eyes glued to the screen.

What did we think of the movie that night?  I truthfully don’t remember, and Marv is no longer here to recall it with me.  So I recently decided to re-watch the film—twice–to reflect on it and what it may have meant to us at the time.

In 1970, enamored with my companion, I most likely loved the film and its countless depictions of student life at Harvard.  Marv had graduated from the college in 1963, and I’d finished at the law school in 1967, so we’d attended Harvard at about the same time as author Segal (Harvard class of ‘58, Ph.D. ‘65). 

The two lead actors, Ryan O’Neal (playing Oliver) and Ali MacGraw (playing Jenny), were also contemporaries of ours who could have been Harvard students at about the same time.  Let’s add Tommy Lee Jones, whose first film role is one of Oliver’s roommates.  He was himself a Harvard grad, class of ‘69.  (Segal reportedly based Oliver on two of his friends:  Harvard roommates Tommy Lee Jones and Al Gore.)  By the way, Tommy’s name in the credits is Tom Lee Jones.

Marv and I certainly relished the scenes set in a variety of Harvard locations, including the hockey arena where Oliver stars on the school’s hockey team and where I had skated (badly) with a date from the business school. In another scene, the two leads ecstatically make snow angels on the snow-covered campus. 

And I loved watching Oliver searching for Jenny in the Music Building, a building located very close to the law school, where I occasionally escaped from my studies by listening to old 78 LP records in a soundproof booth.

Overall, Marv and I probably found most of the film a lightweight take on life as a Harvard student (although darker days followed as the story moved toward its tragic end).  I’m sure we were also moved by the haunting music composed by Francis Lai, an unquestionably brilliant addition to the film that earned its only Oscar (out of seven nominations). 

Seeing “Love Story” together that chilly night must have been wonderful. 

But watching the film again, 50 years later?  I have to be honest:  I found it disappointing.

                                       To be continued

Hangin’ with Judge Hoffman

POST #10

This is the tenth and final post in a series recalling what it was like to serve as Judge Julius Hoffman’s law clerk.  It will encompass the following:

  1. Concluding remarks on the “Chicago 7” trial
  2. My final contacts with Judge Hoffman, 1970-1983
  3. My life, post-clerkship (in brief)

Concluding remarks on the “Chicago 7” trial

What happened in the appellate court?

            After reading several rulings by the appellate court, I’ve come away with this:  There was plenty of blame to go around.

            At the end of the trial in February 1970, the jury found five of the defendants guilty of the statutory crime with which they were charged:  the intent to incite a riot.  These criminal convictions were reversed by the U.S. Court of Appeals for the Seventh Circuit, which sent the case back to the district court for trial.  A new trial never took place because the Justice Department apparently chose not to bring new charges against these defendants.

            In addition to the criminal convictions, Judge Hoffman convicted all seven defendants and two of their lawyers of contempt of court for their behavior during the trial.  Most but not all of the contempt convictions were also overturned by the appellate court.

            The appellate court issued a lengthy and detailed opinion reviewing the defendants’ criminal convictions. In that opinion, the court concluded that the Anti-Riot Act was not unconstitutional.  It also discussed the evidence presented during the trial, as well as the conduct of the prosecutors, the defendants, and the judge.  If you’d like to read the appellate court’s opinion, you can find it online:  United States v. Dellinger, 472 F.2d 340 (7th Cir. 1972).

            In a later ruling, in 1974, the appellate court focused on the contempt convictions issued by Judge Hoffman. (These were, as I noted above, separate from the criminal convictions.)  In this ruling, the appellate court acknowledged that three of the defendants (Abbie Hoffman, Jerry Rubin, and David Dellinger) were guilty of serious misbehavior and “overwhelming misconduct,” including the wearing of judicial robes in court.  It also upheld the contempt conviction of attorney William Kunstler, noting that his bitterness and anger on at least one occasion “constituted a vicious personal attack on the judge,” delaying and disrupting the trial.

            When the appellate court reversed the defendants’ criminal convictions, it commented on the defense’s arguments attacking Judge Hoffman’s conduct during the trial.  The court noted Hoffman’s “deprecatory and often antagonistic attitude toward the defense” and his comments that were “often touched with sarcasm.”  The appellate court stated:  “Taken individually any one was not very significant and might be disregarded as a harmless attempt at humor.  But cumulatively, they must have telegraphed to the jury the judge’s contempt for the defense.” 

            The appellate court’s comments might well have applied to other criminal prosecutions that took place in Hoffman’s courtroom.  The judge often made similarly “harmless attempts at humor” that were attacked by defendants on appeal.  But in most of the other criminal prosecutions over which he presided, the trials were far shorter and the defendants and the charges against them were far less newsworthy.  In addition, Hoffman’s comments were never broadcast by the media to the same extent.  For these reasons, Hoffman had formerly escaped the kind of criticism that was aimed at him during this much more newsworthy trial.

            We should also note the appellate court’s focus on the conduct of the trial by the government prosecutors.  The court criticized them harshly. These lawyers, representing the Nixon administration, took advantage of Hoffman’s general bias in favor of the government, encouraging him to rule in favor of the prosecution–as was his wont–regardless of the merits of its position. In its 1972 ruling (cited above), the court stated that the prosecutors’ remarks “fell below the standards applicable to a representative of the United States.”  Doesn’t that say a lot?  I think it does.  The court pointed out some examples, such as prosecutors’ calling the defendants “evil,” “obscene liars,” “violent anarchists,” and “predators.”

            At the same time, it’s only fair to add that it was clear from the beginning that these particular defendants chose not to play the game the way defendants are supposed to.  They were determined to upset the courtroom at every opportunity.  A lot of the blame for the fiasco that followed must therefore fall on their shoulders as well. 

            My conclusion, when all is said and done?  The government never should have brought the indictment in the first place.  It was ill-conceived, and although the statute under which it was brought was later held by the Seventh Circuit to be constitutional, it was a highly dubious piece of legislation, spawned by the turmoil and the upheavals of its time.  If the Nixon administration had not pursued the indictment, this whole sorry chapter in U.S. legal history would never have been written.

            In the end, Hoffman’s reputation was besmirched as almost no other federal judge’s reputation has been, before or since.  The Sorkin film has revived interest in the trial, and in that film, Hoffman is portrayed as the arch-villain of the piece.   But in retrospect, I believe that this portrayal is not entirely justified.  With all of his faults, Hoffman was not an evil or cruel man.  I think he saw his role as that of a presiding judge compelled to impose order during a frenetic and chaotic trial, a trial unlike any he had ever encountered.

A side note on judicial findings of contempt

            During my high school years, I was a devoted fan of the TV series “Perry Mason.”  Every episode concluded with a courtroom scene, and I watched with fascination to see how admirable defense lawyer Perry and his opposing counsel, along with Perry’s clients and any witnesses, conducted themselves in the courtroom.  The judge’s rulings also interested me.  D.A. Hamilton Burger’s repeated objections that certain testimony was “incompetent, irrelevant, and immaterial” lodged in my mind, and when I took a course in Evidence during law school, I recalled many of the judges’ rulings.  Classmates who were questioned by Professor Chadbourn sometimes couldn’t come up with an answer, and I often thought to myself, “Didn’t you ever watch ‘Perry Mason’?  If you had, you’d probably know the answer.”  (I did.)

            “Perry Mason” reruns now appear on late-night TV in San Francisco, and I occasionally watch one.  In a recent episode dating from the 1950s (“The Case of the Purple Woman”), someone in the courtroom (not a lawyer) shouted out an objection in the middle of witness testimony.  The judge first issued a $25 fine for contempt.  But when this individual repeated his misbehavior, loudly protesting the $25 fine, the judge (who looked remarkably like Judge Hoffman) sentenced him to 24 hours in county jail for contempt.  It was great fun to come across an episode of “Perry Mason” featuring a conviction for contempt issued by an irascible judge like Hoffman.

My final contacts with Judge Hoffman, 1970-1983

            After observing the trial twice, and each time feeling uncomfortable, I cut off my relationship with Judge Hoffman almost completely. I was working as a lawyer in Chicago, and I was embarrassed that the judge I had clerked for had become the subject of so much criticism.

            But when I decided to leave Chicago and move to California in August 1970, six months after the end of the trial, it seemed only right to phone the judge to tell him I was moving and to say goodbye.  And so I did.

            During our phone call, I didn’t mention the trial, but after an awkward silence, he did.  “I still don’t understand what happened,” he told me.  He sounded almost mystified.  Uncertain about what had happened.  Baffled by all of the criticism hurled at him, without understanding why–or perhaps, without wanting to understand why.

            Despite his many flaws, this admission by the judge led me to feel sorry for him. Looking back, I think that when he agreed to preside over this trial, he never contemplated what might actually happen.  He somewhat ingenuously found himself dealing with a group of hostile defendants who were intent, from the outset, on disrupting his previously well-ordered courtroom. 

            Thinking about his admission to me during that phone call has–50 years later–left me wondering:  What actually happened to him, outside the courtroom, during the trial?  Did he witness protests in the streets surrounding the courthouse?  Did his wife try to bolster him at the end of every day in court?  And what happened inside the courthouse?  Did any of his fellow judges come to his aid?  Did any of them offer him support or advice?  Did he welcome their advice, if it was offered? 

            I don’t know the answers to these questions.  I’ve never tried to find out, and I don’t plan to try now.  But I suspect that the judge was left out there by himself, trapped in his appalling situation, twisting in the wind.  His colleagues and his law clerks, probably grateful to have themselves been spared what happened to him, may have failed to give him the kind of support he needed to help him get through the whole awful mess.

            When I think about the two years I spent as Hoffman’s law clerk, I recall some uncomfortable and unhappy times, some of which I’ve set forth earlier in this series.  But I can also recall some truly pleasant times.  He treated his clerks and office staff to holiday lunches, as well as farewell lunches for a secretary or law clerk leaving his chambers, at the Empire Room in the Palmer House hotel and the posh Standard Club.  He would also give us year-end bonuses paid out of his own pocket.  And, as I noted earlier, while I worked for him, he always treated me and my co-clerks with respect.

            My life changed dramatically at the end of the summer of 1970.  I moved to California, met the man I fell in love with and married, and did not return to Chicago with my husband and delightful one-year-old until 1975.  Instead of returning to working full time, I sought out part-time work in a variety of law-related jobs, and I only seldom ventured to downtown Chicago.

            But in 1980, my co-clerk Susan Getzendanner became the first woman judge on the Northern District of Illinois bench.  I was thrilled for her, and I was happy to congratulate her and wish her well.  My friendship with Susan led to two final contacts with Judge Hoffman.

            After Susan’s appointment, the judge cheerfully called me at home one day.  He told me he was about to speak about Susan at a celebratory gathering and asked whether I could tell him a funny story about her, gleaned from the year we worked together.  I came up with a silly story for him.  But before he hung up, he asked me when I would be returning to work as a lawyer.  I was busy with two young daughters, ages 6 and 3, and trying to stay viable in the legal profession by working at part-time law-related jobs.  When I told him I wasn’t sure when I would go back to working as a full-time lawyer, he emphatically responded something like this:  “Well, you should come back sometime soon.  We need good lawyers like you!”

            I replicated this dialogue in my mystery novel, Jealous Mistress, which I began writing in 1985 and finally published in 2011.  Alison Ross, the protagonist (who loosely resembles me), gets a call from the judge she clerked for.  A reporter had called to ask him about his former clerk Alison, who had garnered local attention by solving a recent murder. The judge asks Alison, “When are you going to go back to the law?  You were a real crackerjack when you worked for me.”  Alison tells him that she’s been busy at home with her kids, but the judge insists, “We need more good lawyers like you.”  Thanks, Judge Hoffman, for inspiring the dialogue I later used in my novel.

            Susan Getzendanner also wangled an invitation for me to attend a high-profile luncheon held in honor of the judge, sponsored (at least in part) by his alma mater, Northwestern University Law School.  It took place at a snazzy private club on Michigan Avenue, the Tavern Club, where I ran into a bunch of lawyers and law professors I knew, as well as a few of Hoffman’s former law clerks.  There had been a huge student protest at the law school during the trial, and a plaque (noting his donation to fund a room at the school) had been torn off the wall outside the room.  Some faculty members had also expressed scathing criticism

            The judge was not surprisingly offended by what happened, and the rumor was that Hoffman had dropped NU from his will.  By sponsoring this lavish luncheon held in his honor, NU made a huge effort to get back in his good graces, but I later heard that the effort did not bear fruit and Hoffman died without leaving anything to NU law.  (I don’t know whether that’s in fact true.  When I later taught at NU Law, I never asked any other member of the faculty whether it was.)

            During the luncheon, the judge smilingly walked over to me.  He seemed terribly pleased to see me and greeted me by kissing me on the lips. This was somewhat startling, but I forgave his brashness.  Probably because he was about 85 at the time.

            After the NU luncheon, I lost touch with the judge once again.  I sadly learned of his death in an unexpected way.  My family was traveling to the East Coast that summer.  My husband, whom I’ll call Marv, was a celebrated mathematician, and he was invited to speak at a math conference held at Yale.  The four of us memorably stayed in a stifling dormitory on the Old Campus. (We’d been assured that it was air-conditioned. They lied.) 

            After leaving New Haven, we drove to Cambridge, and Marv thought it would be fun to have lunch at his old Harvard College haunt, Elsie’s sandwich shop.

            As I perched on a stool at one of Elsie’s tables, I spied a copy of The New York Times left behind by another customer.  I picked it up and began leafing through it.  My heart stopped when I came across an article buried on an inside page:  a lengthy obituary for Judge Hoffman, who had died on July 1, 1983, while I was traveling.

            Was there a funeral?  If so, who attended?  I never looked into it, and I choose not to do so now.  But I hope there was some sort of memorial service that praised the many good things Hoffman did, instead of focusing on the notoriety he had earned as a result of the trial.

            As for me, I’ll be forever grateful to him for giving me the opportunity to begin my legal career as his law clerk.  The two years I spent as his clerk provided me with a solid foundation for my career.  I learned how the courts worked.  How lawyers did or did not craft persuasive arguments that could sway a court.  How judges did or did not conduct their courtrooms in a fair and unbiased fashion. And how litigants themselves could influence the outcome in a given case.

            In that benighted era, when most judges selected their clerks from among male law graduates and only male graduates, eschewing the opportunity to choose highly capable women, Judge Hoffman had the sense and good judgment to choose women like me.     

My life post-Hoffman (in brief) 

            When I finished my clerkship in the summer of 1969, I chose not to enter the private practice of law.  Instead, I applied for and won a fellowship in a program that helped lawyers learn how to represent poor people and placed them in programs where they could use those skills (the Reginald Heber Smith Community Lawyer Fellowship Program}. 

            I became a “Reggie” with the Appellate and Test Case Division of the Chicago Legal Aid Bureau, where I was soon immersed in a lawsuit, Doe v. Scott.  My co-counsel and I filed this lawsuit, which challenged the constitutionality of Illinois’s restrictive abortion law, on February 20, 1970.  In August 1970, at the end of my first year as a Reggie, I transferred my fellowship to a program at UCLA Law School that focused on legal issues related to health problems of the poor.  During my year there, I continued to work on Doe v. Scott.  (I plan to write much more about my involvement in this lawsuit.  I hope to finish in the next year or two.) 

            Six weeks after moving to Westwood to work at UCLA, I met Marv, and my life changed again.  I’ll say more about that in my next blog post, “Another Love Story.”

Postscript

            Would Judge Hoffman be viewed differently today?  Should he be?  I titled this series “Hangin’ with Judge Hoffman,” implying that he could be described as a “hanging judge.”  But in retrospect, I now think he was a much more complex human being than I used to think, and this implication is probably unfair.

            During the five decades since Judge Hoffman presided over the trial of the “Chicago 7,” we’ve witnessed the rise of sharp-tongued “Judge Judy,” who has starred on one of the hottest shows on daytime television, winning high ratings in 25 seasons from 1996 to 2021.  The title of her 1996 book gives us a clue to her judicial demeanor:  “Don’t Pee on My Leg and Tell Me It’s Raining.”  Her great success might lead one to assume that the American public now admires an acerbic judge (who has also been called abrasive, discourteous, and insulting) and prefers her to one who displays what’s usually called “judicial temperament.” 

            What can we say about the public’s fascination with an acerbic judge like Judge Judy?  Does that fascination lead us to view a judge like Hoffman differently today? 

            I don’t think the public views these two judges in the same way.  One was (at least until the trial of the “Chicago 7”) a generally respected federal judge who presided over a great many important cases in his courtroom.  The other is a judge who is closer to a comedian than a respected jurist. 

            As a member of the legal profession, I think that “Judge Julius”—often lacking in fairness and judicial temperament–was not the kind of judge we need.  He wasn’t the villain the Sorkin film makes him out to be.  But he could have, consistently, throughout his tenure as a judge, been less abrasive and less biased in favor of the government.

            Although “Judge Judy” may be an amusing figure in the world of entertainment, she’s also not the kind of judge we need. 

           In short, lawyers and litigants in the real world, confronting serious legal issues, deserve serious judges who invariably display judicial temperament and avoid, as much as they possibly can, acting in an abrasive and biased way.

Hooray for Hollywood! Part I

As a lifelong film buff (OK, since I was about 4), I have great fondness for much that Hollywood (and foreign cinema) has produced.  Each year I try to see a number of new films and re-watch some of the old ones.

During the past year, I never got around to seeing most of the blockbusters that dominated the box office. According to the online publication The Verge, Disney produced an unprecedented 80 percent of the top box-office hits in 2019.

Thanks to its purchase during the last decade of Marvel Entertainment (2009) and Lucasfilm (2012), Disney films have included franchises like Star Wars and the Marvel hits, in addition to popular animated films like Frozen and Frozen 2.  The result:  Disney films have surpassed many other films at the box office.

But I don’t pay a lot of attention to box-office success.  I’m far more focused on seeing films that have something to say to me. This year my clear favorite was Once Upon a Time…in Hollywood.

Once Upon a Time, a Quentin Tarantino film, is not only a fabulous depiction of Hollywood in 1969, but it also related to me and my life in a number of ways.

Spoiler alert:  If you haven’t yet seen this film, DO NOT read the ending of this blog post, where I write about the Manson murders.

First, about the film itself:  It’s been called a “buddy picture,” and in many ways it is.  In two stellar performances, Leonardo DiCaprio (playing the fictional Rick Dalton) and Brad Pitt (playing fictional Cliff Booth), are indeed buddies.  Rick is a fading former star of a Western TV series, trying to make a comeback in Hollywood, while Cliff is his longtime stunt double.  By 1969, with Rick’s star on the wane, Cliff spends much of his time driving Rick from place to place.  Both are struggling to survive in a Hollywood that has changed from the one they knew.

Weaving fiction and fact throughout the film, Tarantino uses both humor and violence to depict the end of an era.  In this love letter to 1960s Hollywood (which has earned positive reviews by most top critics on Rotten Tomatoes and garnered numerous awards and nominations), he embeds specifics of popular culture and real places in 1969 LA into the film.

 

The story takes place during two days in February and one day in August of 1969.  Notably, Rick Dalton’s home is right next door to the home of minor film star Sharon Tate (married to director Roman Polanski) in a posh section of western LA, Benedict Canyon.

In this film, Tarantino also skillfully blends in the ugly story of the Charles Manson “family.”

Re-creating in many ways the world that I lived in at about the same time, even if he himself did not, Tarantino provoked a cascade of intensely vivid memories for me.  Here’s why:

 

 

I left Chicago in August 1970 and moved to the Westwood neighborhood on the west side of LA, where I rented a cheerful furnished apartment within walking distance of UCLA.

I had moved my “Reggie Fellowship” from the Appellate and Test Case Division of the Chicago Legal Aid Bureau to a health-law related Legal Services office that was located at UCLA Law School.  Reggies were predominantly young lawyers who opted to work on behalf of the poor rather than toil in a corporate law firm.  (Please see my more detailed description of the Reggie program in an earlier post, “The Summer of ’69,” published on August 7. 2015.)

Westwood and Westwood Village (the commercial area in Westwood, adjacent to UCLA), loom large in my memory.  I met my husband-to-be (I’ll call him Marv) on the UCLA campus in October 1970, six weeks after I arrived.  Before we met, we had both rented separate apartments in the same apartment building located on the fringe of the campus. We soon began dating, and my memory bank is filled with countless memories related to our courtship and marriage that year.

My new location was very close to much of what happens in the Tarantino film only one year earlier.  So when he replicates things from that time, I recall seeing and hearing a lot of what looked like them myself.

Examples:  Street signs, ads painted on bus-stop benches, movie posters, commercials, and music. (Some of these are Tarantino’s own inventions.)

Probably the best example:  Sharon Tate goes to see herself in a film at a movie theater in Westwood Village.  During the year that I lived in Westwood, I saw many films at the movie theaters in Westwood Village.  (Seeing “Love Story” with Marv in one of them in December 1970 was especially memorable, and I plan to write about it in a future blog post.)

Another example:  A scene in the movie is set at the famous LA restaurant called Musso & Frank Grill.  Marv and I were both aware of its fame, and during that year we sought it out and dined there one special night.

One more thing:  The stunning area where Sharon Tate and Roman Polanski lived next door to the fictional Rick Dalton (Benedict Canyon) is in western LA, not far from Westwood and very close to BelAir.  Marv and I not only lived in Westwood, but we also celebrated our wedding luncheon at the charming BelAir Hotel.

Then there’s the Manson family storyline in the movie.  I learned about the Manson murders during a weekend in New York City.  I was spending part of the summer of 1969 at the Reggie training program at Haverford College, near Philadelphia, and I traveled from Philly to NYC one weekend in August

During trips to NYC, I often stayed with a close friend and a law-school classmate (I’ll call her Arlene).  Although Arlene was planning to be out of town that weekend, she invited me to stay in her 86th Street apartment on the East Side of Manhattan without her.  It was a great opportunity to live by myself as a quasi-New Yorker, and I decided to do it.

Returning to her apartment on Saturday evening, I picked up the Sunday New York Times and was shocked by a headline spelling out the startling discovery of the Manson murders.

At that time, I was still living in Chicago, but I had briefly lived in LA when I was 12 and always liked to follow any news arising there.  So I was riveted by the Manson story and read the paper from cover to cover.

When Tarantino decided to weave this story into the rest of his film, he did what he’d done in Inglourious Basterds and changed the real ending to a much different one.

Watching Once Upon a Time, I was terribly nervous as the film approached its ending.  I knew how the real story turned out, and I didn’t know exactly how this film would portray it.  But what a departure from reality Tarantino created!  The shocking ending to the film includes imaginative violence that is so over-the-top that it’s almost humorous.  Overall, the ending is a clever re-imagining of the fate of the Manson family and a much happier resolution of what happened to their victims.

Although the new ending was violent in its own way, creating an exciting piece of filmmaking, I left the theater in a much sunnier frame of mind than I would have if Tarantino had re-created the actual massacre that took place in 1969.

 

In sum, Once Upon a Time is, to my mind, an absorbing and a fascinating film.  For me, it was one of the best films of 2019.

 

I plan to write again about Hollywood films that have been relevant to my own life.  Part II will begin to explore classic films that have done just that.

 

 

Cycling Through Bliss

I’ve recently embarked on a new exercise program, and I’ve chosen a recumbent bike as one means to accomplish my goal.  It’s fairly boring to cycle in my current gym, a gray and sterile place, so I’ve taken to closing my eyes while I cycle and imagine blissful scenes I’ve cycled through in my past.

I focus on the scenes around my home of 30 years in the eastern section of Wilmette, a charming village on Chicago’s North Shore.  We bought our home in 1975 for less than $70,000, but during the three decades that we lived there, home values increased enormously, and by the time we sold it, its value had multiplied about 14 times.

During those years, east Wilmette became exceedingly desirable because of its location near Lake Michigan and its lakeside beach, harbor, and park—Gillson Park– along with excellent schools, a nearly invisible crime rate, a top-notch public library, a Spanish-influenced small shopping mall called Plaza del Lago, its 28-minute train ride to downtown Chicago, and other highly sought-after features.  Although we were not at the most affluent end of the spectrum in Wilmette, especially as the years went by, we reaped the benefits of living in a near-idyllic setting.

I set my second novel, a mystery titled Jealous Mistress, in this part of Wilmette, which I called East Winnette (blurring its name with that of another North Shore suburb, Winnetka.  [https://www.amazon.com/Jealous-Mistress-Susan-Alexander/dp/1463503652]

I’ve loved cycling ever since my parents gave me my first Schwinn during my growing-up years on Chicago’s Far North Side.  I continued to pursue cycling throughout my high school and college years.  And even when I was a law student at Harvard, I purchased a second-hand bike from a graduating 3L and delightedly rode it through the beautiful Cambridge streets until I myself graduated and passed it on.

While working as a lawyer in Chicago before I married, I bought an inexpensive bike at Sears and loved riding it through Lincoln Park, along Lake Shore Drive, and elsewhere along the lake, near where I’d rented a small studio apartment.

After I moved to LA in 1970, I bought a second-hand bike and hoped to ride it near my apartment in Westwood. But the neighborhood was too hilly for me, and I soon abandoned cycling there.

Landing in Wilmette in 1975, I was determined to once again be a cyclist.  With the bike I moved from LA to Ann Arbor then moved to Wilmette, and the bike my husband acquired in Ann Arbor so he could ride with me there, we set out on our bikes as soon as we could.  Having two daughters complicated things, but as soon as we could somehow attach them to us or to our bikes, or they were old enough to ride bikes themselves, off we went.  Both daughters became avid cyclists, often biking to school during their high school years.

Here’s one of the blissful North Shore routes our family shared, one I remember with special and heartfelt fondness:

Our family of four would cycle out of the detached garage behind our house and set out on our bikes, riding a short way to 10th Street, a sometimes busy through street.  We’d then ride three blocks down 10th Street (carefully, to avoid traffic, which was usually fairly light) to a delightful route down Chestnut Avenue.  This route enabled us to ride for about six blocks without interruption by any curbs or cross-streets because we took the sidewalk on the eastern side of Chestnut, and it had no breaks of any kind.

I always loved our rides down Chestnut Avenue.  Chestnut features huge homes and extensive front lawns, and I memorialized it as Oak Avenue in my novel Jealous Mistress.  In this story, set in 1981, the protagonist-narrator is planning to visit a house on that street:

 

“It was only a few blocks from my house, but those blocks made all the difference in the world.  The houses on my block ran the gamut from ordinary and somewhat cramped (mine) to large and fairly impressive (the one next door…).

But the houses on [Chestnut Avenue] were borderline mansions.  One of them always reminded me of an art museum I once saw in Williamstown, Massachusetts (on a slightly smaller scale, of course).”

My protagonist-narrator hopes that the house she’s visiting “would turn out to be the museum lookalike, but it wasn’t.  It just looked like one of the houses in a Cadillac ad in the latest issue of LIFE magazine.”

 

As our family cycled alongside the magnificent homes on Chestnut Avenue, we savored the uninterrupted ride that led us to where Chestnut ended and flowed into the adjoining suburb of Kenilworth.

Kenilworth was and still is an upscale, somewhat snooty, suburb just north of Wilmette.  Like some areas of east Wilmette, this section of Kenilworth, east of Green Bay Road and close to Sheridan Road, also features huge homes, tall trees, and extensive front lawns.  My older daughter remembers these areas as “park-like.”

Kenilworth’s streets had very little car traffic—a definite plus—but the best thing about them was that they were all paved with asphalt.  In our part of Wilmette, later called the CAGE because of the four streets that bordered it (one of them was ours), the streets were still paved with red bricks.  The vintage bricks (expensive to replace when they broke) lent a certain cache to the streets, and we loved them, but they were so bumpy that they were truly awful for bike-riding.  So whenever we could ride our bikes on the streets of Kenilworth, we knew we’d have smooth sailing for that part of our ride.

When I close my eyes at the gym, I often picture the sights along this route.  During the six months of the year (May through October) when cycling was more-than-pleasant on the North Shore, we’d relish the cool breezes from Lake Michigan and the delightful sounds of birdsong that surrounded us.

But another route was equally blissful.  On this one, we’d head east, tolerating Wilmette’s bumpy brick streets as far as Sheridan Road, where we were able to ride down smooth sidewalks and streets leading to the stunning lakeside gem called Gillson Park.  Riding into Gillson gave us a couple of options:  We could head all the way to the sandy beach, riding alongside Lake Michigan, or we could cycle along Michigan Avenue, the posh residential street just east of busy Sheridan Road.

Gillson was, and still is, a gem for a host of reasons.  One is the accessible beach and harbor, where sunning, swimming, and sailing were happily available in good weather.  Another is the abundance of tall trees and green grassy lawns, where countless barbeques cropped up every summer.  Still another is the marvelous Wallace Bowl, where Wilmette offered free concerts (and Broadway musicals) every summer, and where a concert of patriotic music, followed by fireworks at the beach, was an annual tradition on the Fourth of July that attracted people from all over the Chicago area.

So we would enthusiastically ride into and through Gillson, sometimes stopping to look at the lake, sometimes zooming past Michigan Avenue mansions, always having a glorious time on a breezy, sunshiny day.

Gillson Park turned up as Sheridan Park in a scene in Jealous Mistress.  I couldn’t resist setting a scene in a secluded spot along the water where my protagonist-narrator could meet up with someone who turned out to reveal important secrets.

 

Update to today:  If you’ve read my blog before, you know I live in San Francisco, one of the most beautiful cities in the world.  So you may be wondering why I don’t envision cycling on routes through my new neighborhood rather than the routes stored in my memory bank.

The truth is that although I moved a two-year-old bike from Wilmette to my new home in San Francisco, I’ve sadly never used it.  Why?

The apartment building I chose is perched in a very hilly part of SF, and I soon realized that cycling on these hills would be much too arduous.  Hence I ride the recumbent bike at the gym while my own bike still leans against a wall in my building’s garage.

Instead of cycling, I walk almost everywhere I can in San Francisco.

But cycling still beckons.  I plan to abandon my boring gym and acquire a new recumbent bike of my own, a stationary one that will reside in my apartment, to be ridden whenever and for however long I wish.

I can hardly wait.