Category Archives: Chicago

Declare Your Independence: Those High Heels Are Killers

Posted on June 28, 2017 | 3 comments

I’ve long maintained that high heels are killers.  I never used that term literally, of course.  I merely viewed high-heeled shoes as distinctly uncomfortable and an outrageous concession to the dictates of fashion that can lead to both pain and permanent damage to a woman’s body.

A few years ago, however, high heels proved to be actual killers.  The Associated Press reported that two women, ages 18 and 23, were killed in Riverside, California, as they struggled in high heels to get away from a train.  With their car stuck on the tracks, the women attempted to flee as the train approached.  A police spokesman later said, “It appears they were in high heels and [had] a hard time getting away quickly.”

Like those young women, I was sucked into wearing high heels when I was a teenager.  It was de rigueur for girls at my high school to seek out the trendy shoe stores on State Street in downtown Chicago and purchase whichever high-heeled offerings our wallets could afford.  On my first visit, I was entranced by the three-inch-heeled numbers that pushed my toes into a too-narrow space and revealed them in what I thought was a highly provocative position.  If feet can have cleavage, those shoes gave me cleavage.

Never mind that my feet were encased in a vise-like grip.  Never mind that I walked unsteadily on the stilts beneath my soles.  And never mind that my whole body was pitched forward in an ungainly manner as I propelled myself around the store.  I liked the way my legs looked in those shoes, and I had just enough baby-sitting money to pay for them.  Now I could stride with pride to the next Sweet Sixteen luncheon on my calendar, wearing footwear like all the other girls’.

That luncheon revealed what an unwise purchase I’d made.  When the event was over, I found myself stranded in a distant location with no ride home, and I started walking to the nearest bus stop.  After a few steps, it was clear that my shoes were killers.  I could barely put one foot in front of the other, and the pain became so great that I removed my shoes and walked in stocking feet the rest of the way.

After that painful lesson, I abandoned three-inch high-heeled shoes and resorted to wearing lower ones.   Sure, I couldn’t flaunt my shapely legs quite as effectively, but I managed to secure male attention nevertheless.

Instead of conforming to the modern-day equivalent of Chinese foot-binding, I successfully and happily fended off the back pain, foot pain, bunions, and corns that my fashion-victim sisters suffer in spades.

The recent trend toward higher and higher heels is disturbing.  I’m baffled by women, especially young women, who buy into the mindset that they must follow the dictates of fashion and the need to look “sexy” by wearing extremely high heels.

When I watch TV, I see too many women wearing stilettos that force them into the ungainly walk I briefly sported so long ago.  I can’t help noticing the women on late-night TV shows who are otherwise smartly attired and often very smart (in the other sense of the word), yet wear ridiculously high heels that force them to greet their hosts with that same ungainly walk.  Some appear on the verge of toppling over.  And at a recent Oscar awards telecast, women tottered to the stage in ultra-high heels, often accompanied by escorts who kindly held onto them to prevent their embarrassing descent into the orchestra pit.

The women who, like me, have adopted lower-heeled shoes strike me as much smarter and much less likely to fall on their attractive (and sometimes surgically-enhanced) faces.

Here’s another example.  When I sat on the stage of Zellerbach Hall at the Berkeley commencement for math students a few years ago, I was astonished that many if not most of the women graduates hobbled across the stage to receive their diplomas in three- and four-inch-high sandals.  I was terrified that these super-smart math students would trip and fall before they could grasp the document their mighty brain-power had earned.  (Fortunately, none of them tripped, but I could nevertheless imagine the foot-pain that accompanied the joy of receiving their degrees.)

Foot-care professionals soundly support my view.   According to the American Podiatric Medical Association, a heel that’s more than 2 or 3 inches makes comfort just about impossible.  Why?  Because a 3-inch heel creates seven times more stress than a 1-inch heel.

The San Francisco Chronicle recently questioned Dr. Amol Saxena, a podiatrist and foot and ankle surgeon who practices in Palo Alto (and assists Nike’s running team).  He explained that after 1.5 inches, the pressure increases on the ball of the foot and can lead to “ball-of-the-foot numbness.”  (Yikes!)  He doesn’t endorse 3-inch heels and points out that celebrities wear them for only a short time (for example, on the red carpet), not all day.  To ensure a truly comfortable shoe, he adds, don’t go above a 1.5 inch heel.  If you insist on wearing higher heels, limit how much time you spend in them.

Some encouraging changes may be afoot.  The latest catalog from Nordstrom, one of America’s major shoe-sellers, features a large number of lower-heeled styles along with higher-heeled numbers.  Because Nordstrom is a bellwether in the fashion world, its choices can influence shoe-seekers.  Or is Nordstrom reflecting what its shoppers have already told the stores’ decision-makers?  The almighty power of the purse—how shoppers are choosing to spend their money–probably plays a big role here.

Beyond the issue of comfort, let’s remember that high heels present a far more urgent problem.  As the deaths in Riverside demonstrate, women who wear high heels can be putting their lives at risk.  When women need to flee a dangerous situation, it’s pretty obvious that high heels can handicap their ability to escape.

How many other needless deaths have resulted from hobbled feet?

The Fourth of July is fast approaching.  As we celebrate the holiday this year, I urge the women of America to declare their independence from high-heeled shoes.

If you’re currently wearing painful footwear, bravely throw those shoes away, or at the very least, toss them into the back of your closet.   Shod yourself instead in shoes that allow you to walk—and if need be, run—in comfort.

Your wretched appendages, yearning to be free, will be forever grateful.

 

[Earlier versions of this commentary appeared on Susan Just Writes and the San Francisco Chronicle.]

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Posted in 1950s, Associated Press, Chicago, feet, foot pain, Fourth of July, health, high school, high-heeled shoes, high heels, mathematicians, Nordstrom, Oscar awards, Riverside, California, San Francisco Chronicle, shoes, shopping, TV late-night, University of California, Berkeley, walking, women, women"s interests

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Proms and “The Twelfth of Never”

Posted on June 17, 2017 | 2 comments

It’s prom season in America.

Do you remember your senior prom?

The twelfth of June never fails to remind me of mine.

The prom committee named our prom “The Twelfth of Never,” and it’s easy to remember why.  The prom took place on June 12th.  The name was also that of a popular song recorded by Johnny Mathis–one of my favorites on his album, “Johnny’s Greatest Hits.”

As one of Johnny’s fans, I owned this album and played it over and over till I knew the words to all of the songs, including this one.  Many of his songs became standards, and PBS has recently been showcasing his music in one of its most appealing fund-raising lures.

I immortalized the song title in my own small way by writing in my novel Jealous Mistress that the protagonist, Alison Ross, hears it playing while she shops in her supermarket in 1981: “My fellow shoppers were gliding up and down the aisles of the Jewel, picking items off shelves to the tune of ‘The Twelfth of Never.’”

When I was 11 or 12, my favorite crooner was Eddie Fisher, who was then at the top of his game.  But by my last year of high school, I’d shifted my loyalties to Johnny Mathis and Harry Belafonte.  In addition to Johnny’s album, I treasured Belafonte’s astonishing “Belafonte” LP and played it, like Johnny’s, over and over, learning those words, too.

Although I wasn’t part of the prom committee (I was busy chairing the luncheon committee), and “the twelfth of never” referred to a date when something was never going to happen, I was okay with the name the committee chose.  My more pressing concern was who would be my date.  Would it be my current crush, a friend since first grade who’d metamorphosed into the man of my dreams?  (I hoped so.)  Would it be last year’s junior prom date?  (I hoped not.)  Who exactly would it be?

As luck would have it, an amiable and very bright classmate named Allen stepped forward and asked me to go to the prom.  I could finally relax on that score.  But we weren’t really on the same wave length.  When we went on a few other dates before prom, they became increasingly awkward.

On one date we saw “Some Like It Hot” at a filled-to-capacity downtown Chicago movie theater, where we sat in the last row of the balcony.  The film was terrific (it’s been judged the top comedy film of all time by the American Film Institute), and Allen clearly loved it.  His delight unfortunately ended in an ache or two.  When he heard the last line, spoken by Joe E. Brown to Jack Lemmon (“Well, nobody’s perfect”), Allen laughed uproariously, threw his head back, and hit it on the wall behind our seats.  I felt sorry for him—it must have hurt—but it was still pretty hard to stifle a laugh.  (I don’t think it hurt his brainpower, though.  As I recall, Allen went on to enroll at MIT.)

Although the bloom was off the rose by the time the prom came along, Allen and I went off happily together to dance on the ballroom floor of the downtown Knickerbocker Hotel, noted for the floor’s colored lights.  (The Knickerbocker spent the 1970s as the icky Playboy Towers but since then reverted to its original name.)  We then proceeded to celebrate some more by watching the remarkable ice-skating show offered on a tiny rink surrounded by tables filled with patrons, like a bunch of us prom-goers, at still another big hotel downtown.

Most of us were unknowingly living through an era of innocence.  For some of my classmates, the prom may have involved heavy kissing, but I doubt that much more than that happened.  In my case, absolutely nothing happened except for a chaste kiss at the end of the evening.

For better or worse, proms have evolved into a whole different scene.  In April, The Wall Street Journal noted that although the rules of prom used to be simple, they’re more complicated today.  At Boylan Catholic High School in Illinois, for example, a 21-page rulebook governs acceptable prom-wear.  Other schools require pre-approval of the prom dresses students plan to wear–in one school by a coach, in another by a three-person committee.

Administrators add new rules every year “to address new trends and safety concerns.” These have included banning canes, boys’ ponytails, and saggy pants, as well as two-piece dresses that might reveal midriffs and dresses with mesh cutouts that suggest bare skin.

But students have begun to revolt.  The students at Boylan Catholic have organized their own prom, arguing that the 21-page dress code contributed to body-shaming.  They point to a rule that states: “Some girls may wear the same dress, but due to body types, one dress may be acceptable while the other is not.”  A male student who helped organize Morp (the alternative prom) said that “girls were offended…. Somebody needed to step up and do something.”

At a school in Alabama, one student hoped to take his grandmother to his prom since she’d never been to one, but her age exceeded the maximum of 20, so she wasn’t allowed to go.  The student was “mad,” skipped the school prom, and celebrated at his grandmother’s home instead.  Not surprisingly, the school defended its rule, stating that it wanted to discourage students’ inviting older relatives who might present a safety issue by drinking alcohol:  “It just causes problems.”  But the school district later joined with a senior center to host an annual prom for senior citizens.  Presumably, Granny went to a prom after all.

According to the Journal, New York City students have another option altogether.  The New York Public Library hosts an annual free “Anti-Prom” in June for students 12 to 18, who can attend in any garb they choose.

In the Bay Area, another phenomenon has occurred:  “promposals”–photos and videos posted on social media in which one student asks another one to prom.  The San Francisco Chronicle views these as a way for kids “to turn themselves into YouTube, Twitter and Instagram sensations.”  In 2014, a boy trotted up to school on a horse, holding a sign that asked his girlfriend to “ride to prom” with him.  Last year, a kid built a makeshift “castle” and wrote a Shakespearean-style play to ask a friend to prom.  And in Berkeley, a boy choreographed a hip-hop dance routine with a bunch of other kids and performed it for his hoped-for date in front of 200 classmates.

In April, the Chronicle reported data on the national emergence of promposals.  From only 17 on Twitter in 2009, the number grew to 764,000 in 2015, while on YouTube, videos went from 56,000 in 2009 to 180,000 last year.  (Millions of teens also post pictures about the prom itself on Instagram.)  The promposal phenomenon may be dying down, with fewer elaborate ones noted this year at a school in Oakland.  But who knows?

One thing we know for certain:  The high school prom-scene has changed.

But even though things have changed, prom-goers today are still teenagers much like us when we went to prom, with all of the insecurities and anxieties that go along with being a teen.

For me, mostly-happy memories of “The Twelfth of Never” return every year on the twelfth of June.   Maybe mostly-happy, or not-so-happy, memories of your prom return every year as well.

As Johnny’s song reminds us, our memories of prom can endure for “a long, long time.”

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Posted in 1950s, 1960s, alcoholic drinks, Chicago, high school, human memory, Johnny Mathis, memory, movies, nostalgia, record albums, senior proms, The Twelfth of Never

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Munching on Meatloaf

Posted on March 31, 2017 | 3 comments

Meatloaf, that old standby, has just acquired a new cachet.  Or has it?

A recent column by Frank Bruni in The New York Times focused on food snobs, in particular their ridicule of Donald Trump’s love of meatloaf.  Weeks earlier, Trump had “forced Chris Christie to follow his lead at a White House lunch and eat meatloaf, which the president praised as his favorite item on the menu.”

According to Bruni, a former restaurant critic, news coverage of the lunch “hinted that Trump wasn’t merely a bully but also a rube.  What grown-up could possibly be so fond of this retro, frumpy dish?”

Bruni’s answer:  “Um, me.  I serve meatloaf at dinner parties.  I devoted a whole cookbook to it.”

Allow me to join forces with Frank Bruni.  Putting aside my general negativity towards all things Trump, I have to admit I’m fond of meatloaf, too.

My recollections of eating meatloaf go back to the dining-room table in our West Rogers Park apartment in the 1950s.  My mother was never an enthusiastic cook.  She prepared meals for us with a minimal degree of joy, no doubt wishing she could spend her time on other pursuits.  It was simply expected of her, as the wife and mother in our mid-century American family, to come up with some sort of breakfast, lunch, and dinner nearly every day.

Breakfasts rarely featured much more than packaged cereal and milk.  I remember putting a dusting of sugar on corn flakes—something I haven’t done since childhood.  Did we add fresh fruit to our cereal?  Not very often.  We might have added raisins.   But fresh fruit, like the abundant blueberries and strawberries we can now purchase all year long, wasn’t available in Chicago grocery stores during our long cold ‘50s winters.  At least not in our income bracket.

Daddy occasionally made breakfast on the weekends.  I remember watching him standing in front of our ‘30s-style mint green enamel-covered stove, whipping up his specialty, onions and eggs, with aplomb.  But those highly-anticipated breakfasts were rare.

[I recently discovered that stoves like that one are still available.  They’re advertised online by a “retro décor lover’s dream resource” in Burbank, as well as on eBay, where an updated model is currently listed for $4,495.]

As for lunch, my public grade school compelled us to walk home for lunch every day.  Only a handful of sub-zero days broke that mold.  Our school had no cafeteria, or even a lunchroom, where kids could eat in frigid weather.  Only on alarmingly cold days were we permitted to bring a lunch from home and eat it in the school auditorium.  If we pleaded convincingly enough, our parents might let us buy greasy hamburgers at Miller’s School Store.

Most days I’d walk home, trudging the six long blocks from school to home and back within an hour. Mom would have lunch waiting for me on our breakfast-room table, mostly sandwiches and the occasional soup.  Mom rarely made her own soup.  She generally opened cans of Campbell’s “vegetable vegetarian,” eschewing canned soups that included any possibility of unknown meat.

Mom’s dinner specialties included iceberg-lettuce salads, cooked veggies and/or potatoes, and a protein of some kind.  Because of her upbringing, she invariably chose fish, poultry, or cuts of meats like ground beef, beef brisket, and lamb chops.

Which brings us to meatloaf.

I must have liked Mom’s meatloaf because I don’t have a single negative memory associated with it.  And when I got married and began preparing meals for my own family, I never hesitated to make meatloaf myself.

Fortunately, I didn’t have to prepare dinner every night.  I was immensely lucky to marry a man who actually enjoyed cooking.  Although I inherited my mother’s reluctance to spend much time in the kitchen, Herb relished preparing elaborate gourmet dishes á la Julia Child—in fact, he often used her cookbook—and proudly presenting them to our daughters and me whenever his schedule allowed.

But when I was the cook, meatloaf was one of my favorite choices.  I’d buy lean ground beef, add breadcrumbs, ketchup, and assorted herbs and spices, mix it all together with my bare hands, and heat the finished product until it was just right.  Aware by then of warnings about high-fat red meat, I’d carefully remove my loaf pan from the oven and scrupulously drain as much fat from the pan as I could.  The result?  A tasty and relatively low-fat dish.  My family loved it.

At some point I discovered the glories of leftover meatloaf.  Chilled in the fridge overnight, it made a toothsome sandwich the next day.  It was especially good on rye bread and loaded with ketchup.  Wrapped in a plastic baggie, it would go from home to wherever I traveled to work, and I had to use my most stalwart powers of self-discipline to wait till lunchtime to bite into its deliciousness.

Those days are sadly over.  I rarely prepare dinner for my family anymore, and my consumption of meat products has gone way down.  Most days, when I reflect on what I’ve eaten, I realize that, more often than not, I’ve unknowingly eaten a wholly vegetarian diet.

I haven’t eaten meatloaf in years.  But hearing about Trump’s penchant for it has awakened my tastebuds.  If I could just get my hands on a tasty low-fat version like the one I used to make, my long meatloaf-drought might finally be over.

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Posted in 1950s, Chicago, cooking dinner, Daddy, dining, family, food, health, meatloaf, Mom, nutrition, president, The New York Times, walking, weather

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Happy Christmas

Posted on December 25, 2016 | 3 comments

Happy Christmas!  That’s what the Brits say, right?  I’m thinking in Brit-speak right now, thanks to recently immersing myself in the world of Victorian London, and I haven’t shaken it off just yet.

The occasion? I showed up at this year’s Great Dickens Christmas Fair & Victorian Holiday Party, held every year at San Francisco’s Cow Palace.

I’ve always associated the Cow Palace with the Republican convention held there in 1964.  The one where Barry Goldwater gave his famous acceptance speech, including the memorable line, “Extremism in the defense of liberty is no vice.”  I remember watching him say those words on TV while I was at home with a high fever.  The whole experience seemed like a feverish nightmare.  A candidate for the presidency of the United States saying those words!  To a Democratically-inclined young person in 1964, Goldwater’s words were shocking.  (Fast forward to 2016, when much more inflammatory speech was hurled at the nation almost every day by another candidate for the presidency.  One, unlike Goldwater, who got himself elected.)

Back to the Cow Palace.  It’s an indoor arena known as a venue for dog shows, sporting events, rodeos, and gun shows.  The Beatles appeared there twice in the ‘60s (and U2 at a special event in October 2016).  I’d never been there before.  But there I was, along with my two daughters and two granddaughters, entering the world of Dickens’s London.

Dickens was an early favorite of mine.  During my teen years, I read David Copperfield and Oliver Twist and became totally enamored of the characters and plot development in both.  (I also read, or tried to read, A Tale of Two Cities, during sophomore year, thanks to Mr. Hurley.  Every girl in our class, including me, had a major crush on him, the only good-looking under-40 male teacher at our high school.  But the book was a poor choice, even for the best readers among us, because it demanded a knowledge of history we hadn’t yet acquired.  When I returned to it years later, knowing something about the history of that time, I found it quite wonderful.  Still, it was and is very different from any of Dickens’s other works.)

Later I moved on to reading more and more Dickens. Bleak House, an indictment of the law as practiced in Dickens’s London, was a favorite.  I saw Oliver performed on stage and in the movies and saw countless dramatizations of his other stories, including the perennial A Christmas Carol.  The 1982 BBC mini-series of Nicholas Nickleby, starring Roger Rees, was especially memorable.

In short, I was—and am—a Dickens fan.

So off I went to the Great Dickens Christmas Fair, not quite sure what to expect.

What I discovered was a whole world of people who turned out to enjoy dancing, music, and theatrical performances inspired by Dickens and the culture of his time.  At least half, possibly more, were dressed in the Victorian fashions they would have worn when meeting Dickens himself.  Perhaps many of these fair-goers like the theatricality of dressing up this way, pretending to be in a different time and place, no doubt escaping the reality of their everyday lives.

A host of vendors offered Victorian-style clothing and hats; many Victorian-clad fair-goers may have purchased theirs at earlier fairs.  Vendors also sold things like second-hand books (some by Dickens), jewelry, vintage photos, and scented items, along with food and drink.  My granddaughters were taken with the stunning dresses, and their mother bought one for each of them on the condition that they wear them as often as possible.

We headed for a few of the performances, including a charming version of traditional Christmas carols (yes, the singers were in Victorian garb), Irish and Scottish dancing, and a typically-British “music hall” comedy.  An over-18 version began after ours and attracted a lot of people waiting in line outside the music hall as we departed (we had two under-18 girls among us).  Finally, we were treated to Mr. Fezziwig’s Ball, where fair-goers could themselves get on the dance floor and twirl to the music of Victorian London.  Just before we left, a beautifully-costumed Queen Victoria showed up, along with her retinue, to wish us all a Happy Christmas and a Good New Year.

The Dickens Fair was tremendous fun.  And it had a bonus:  it reminded me of two special times in my past.  When my husband-to-be Herb and I first began dating, we discovered that we not only lived in the same apartment building near UCLA (where we were working) but we both were also great fans of Charles Dickens.  (In London years later, Herb and I made a beeline for the only house still standing where Dickens lived and wrote.)

Herb somehow garnered tickets for a live performance at UCLA by the British (specifically Welsh) writer and actor Emlyn Williams.  Best known for his plays Night Must Fall and The Corn is Green (both frequently revived on stage and made into notable films), Williams also worked on screenplays for directors like Alfred Hitchcock and acted himself in a number of films.

When we encountered Williams in early 1971, he was touring with his one-man show, in which he portrayed Charles Dickens, bearded and outfitted in Victorian attire, reading excerpts from his famous novels.  (Some say he began the whole genre of one-man and one-woman performances. He appeared in New York as early as 1953 and no doubt appeared in London even earlier. Probably best-known to Americans is Hal Holbrook as Mark Twain.)  Herb and I were entranced by Williams’s stellar performance, and I followed it up by giving Herb a new biography of Dickens as his Valentine’s Day gift.  (Not very romantic, but Herb loved it.)

Ten years later, we learned that Williams-as-Dickens would be performing close to our then-home on the North Shore of Chicago.  At the Northlight Theatre production in Evanston, Illinois, we reveled once again in his zestful reading of Dickens’s writing.

The miserly Ebenezer Scrooge is perhaps Dickens’s most memorable character.  Let’s remember what Dickens wrote toward the end of A Christmas Carol.  When Scrooge discovered the joy of helping others, “His own heart laughed.”

Whether or not you celebrate Christmas, I send you this wish:  May you have a laughing heart today, and every day to come.

 

 

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Posted in Barry Goldwater, Britain, Charles Dickens, Chicago, Emlyn Williams, English literature, fashion, holidays, law, lawyers, literature, London, movies, music, reading fiction, San Francisco, television, travel, UCLA, Victorian London, Wales

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Crawling Through Literature in the Pubs of Dublin, Ireland

Posted on April 7, 2016 | 1 comment

We gathered on a chilly October evening in the venerable Duke pub at 9 Duke Street in the heart of Dublin, not quite certain what to expect.  We’d come across praise for the Dublin Literary Pub Crawl in at least two of our guidebooks, Lonely Planet’s (which called it “excellent and highly recommended…great fun and…a fine introduction to Dublin pubs and Irish literary history”), as well as the Ireland guide by the always-dependable travel writer Rick Steves.

The night before, we’d relished the wonderful Dublin Musical Pub Crawl that began at Oliver St. John Gogarty’s Pub on Temple Bar.

How could we pass up this one?   As fans of literary fiction, including that of the great Irish writers, we simply couldn’t.

To ensure that we wouldn’t be turned away, we walked from Grafton Street to Duke Street early enough to have a pleasant dinner at The Duke pub before positioning ourselves at the front of the ticket line.  We had no regrets about arriving early:  a large group assembled, eager to begin the crawl at 7:30 pm, and latecomers may indeed have been turned away.

To begin, two actors (both probably fifty-plus) stood in front of the group and launched into a scene from “Waiting for Godot.” They very clearly pronounced the name as “God-oh,” with emphasis on “God.”

Ever since my first encounter with the Samuel Beckett play when I was 22, I’d heard it pronounced “Gah-doh,” with emphasis on “doh.”  But here we were in Ireland, where Beckett began his writing career.  Which pronunciation was right?  According to one source, the name is pronounced with emphasis on the first syllable in Britain and Ireland, while the norm in North America is to emphasize the second syllable.  But what about Beckett himself?  He settled in Paris in 1938 and wrote the play there in 1948-49.  And apparently both he and his French literary agent always pronounced it in “the French manner,” with equal emphasis on both syllables.

Pronunciations aside, the scene the actors chose from “Waiting for Godot” was brilliant and performed with the precise amount of irony and absurdist humor it demanded.

The actors then led us to three other notable pubs, where they spoke/performed either inside the pub or outside on a street near the pub.  I later learned the actors’ names:  Colm Quilligan (could it be more Irish?) and his colleague Derek (whose last name I failed to catch).

The first of the three pubs was O’Neill’s, on a corner at 2 Suffolk Street, with a remarkably pretty exterior featuring four tall windows that rise above its name.  Near the campus of Trinity College, it’s famous for a diverse set of patrons, including many writers.

At one of the pubs, maybe O’Neill’s, we entered a good-sized “snug,” a quiet area in the pub set apart from the usual pub revelry.  On the snug’s walls were framed photographs of the four Irish writers who’d won the Nobel Prize in Literature.  (Do you remember who those four prizewinners were?)  The photos were helpful reminders of Ireland’s literary history as we continued our crawl, listening to excerpts from a variety of Irish poets and playwrights.

At one stop, Colm and Derek read a hilarious passage from Oscar Wilde’s reminiscence of his lecture tour in America, in particular his encounter with the miners of Leadville, Colorado.  Here’s a bit of it:  “I read them passages from…that great Florentine genius…Cellini, and he proved so popular that they asked…’why the hell I hadn’t brought him with me’. I explained that [he] had been dead for some years, which elicited the immediate demand: ’who shot him?’”

We moved on to The Old Stand, located at the corner of Exchequer Street and St. Andrew Street.  Its most famous patron was Michael Collins, whose efforts led to the creation of the Irish Free State.  He reportedly visited this pub to gather information about members of the British Secret Service.

The crawl ended in front of Davy Byrne’s, a pub back on Duke Street, near where the crawl began.  The actors pointed out a significant literary reference–a scene in James Joyce’s Ulysses is set there–and read an excerpt from it.  The pub is just one site that honors Joyce’s book during the Bloomsday celebration held in Dublin every year.  We learned that both Dubliners and literary tourists don “boaters” and read from the novel at Davy Byrne’s each Bloomsday.

As we stood in front of Davy Byrne’s (where the name reminded me of the beleaguered first—and so far only—woman mayor of Chicago, Jane Byrne), Colm and Derek asked our group a batch of questions based on things we’d heard and seen during the crawl.  One key question:  the names of the four Irish Nobel Prize winners.

When my daughter Leslie got all of them right, and also answered more of the other literary questions than anyone else in our group, she was awarded with a t-shirt!  The dark green shirt, emblazoned with “Dublin Literary Pub Crawl,” along with an image of stained glass at The Duke pub, will forever be a tangible reminder of our delightful evening crawling through Irish literature in Dublin’s pubs.

PS  The Nobel laureates (in case you don’t remember):  George Bernard Shaw, William Butler Yeats, Samuel Beckett, and poet Seamus Heaney.  Heaney, probably the least known of the four, is the most recent winner (in 1985).  For a long while he was a poet-in-residence at Harvard, and during her college years there, my daughter Meredith was fortunate to hear him recite his stunning poetry—from memory—several times.  She also helped entice him to give a memorable speech to students, like her, who wrote for its literary journal, The Advocate.

 

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Posted in Chicago, Dublin, Ireland, Harvard, Irish literature, Irish writers, literary pub crawl, literature, music, pub-crawl, public crawl, The Nobel Prize in Literature, travel, walking

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The Pink Lady

Posted on February 16, 2016 | 4 comments

When I was growing up, my mother’s cocktail of choice was a “pink lady.” Whenever our family went out for dinner (and those dinners-out didn’t happen often), she’d order a frothy and very rosy-hued “pink lady” while Daddy chose an “old-fashioned.”

My parents weren’t everyday drinkers. Au contraire. My mother would sometimes speak disparagingly of those who indulged overmuch in alcoholic beverages, referring to them as “shikkers.” Although Daddy may have had an occasional drink at home after a difficult day at work (probably bourbon or another kind of whiskey), Mom never did. She reserved her pursuit of alcohol for our occasional dinners-out.

One dinner spot we favored was the Fireside Restaurant in Lincolnwood, Illinois, not far from our apartment on the Far North Side of Chicago. (Ironically, the restaurant was itself destroyed by fire–reputedly by mob-related arson–a few years later.) Another place we patronized was Phil Smidt’s (which everyone pronounced like “Schmidt’s”), located just over the Indiana border.

Why did we travel to Indiana for dinner when good food was undoubtedly available to us much closer to home? And long before an interstate highway connected Chicago to Northern Indiana? I remember a prolonged and very slow trip on surface streets and maybe a small highway or two whenever we headed to Phil Smidt’s.

Perhaps we wound up there because the restaurant was a perennial favorite among the people my parents knew. Or perhaps because my father actually enjoyed driving. Yes, Daddy liked getting behind the wheel in those long-ago days before everyone had a car and the roads weren’t jam-packed with other drivers. Daddy got a kick out of driving us in every direction from our home on Sunday afternoons, when traffic was especially light. But I also remember his frustration with drivers who didn’t seem to know where they were going. He referred to them as “farmers,” implying that they were wide-eyed rural types unaccustomed to city driving.

Perhaps we headed to Indiana because my parents were overly enthusiastic about the fare offered at Phil Smidt’s. As I recall, the place was famous for fried perch and fried chicken. I usually opted for the fried chicken. (At the Fireside Restaurant, my first choice was French-fried shrimp. Dinners-out seemed to involve a lot of fried food back then, and oh, my poor arteries.)

If we were celebrating a special event, like my mother’s birthday or Mother’s Day, Mom would wear a corsage. I’ve never been especially fond of corsages, which were de rigueur during my high school prom-going days. Boys would bring their dates a corsage, and girls were expected to ooh and aah over them. But I always thought corsages were a highly artificial way to display fresh flowers, and I rejected them whenever I had a choice. I’m glad social norms have evolved to diminish the wearing of corsages like those women and girls formerly felt compelled to wear.

Mom, however, always seemed pleased to wear the corsage Daddy gave her. Her favorite flower was the gardenia, and its strong scent undoubtedly wafted its way toward her elegantly shaped nose whenever he pinned one on her dress.

The “pink lady” cocktail, which incorporates gin as its basic ingredient, first appeared early in the 20th century. Some speculate that its name was inspired by a 1911 Broadway musical whose name and whose star were both called “The Pink Lady.”   It may have become popular during Prohibition, when the gin available was so dreadful that people added flavors like grenadine to obscure its bad taste.

The cocktail evolved into a number of different varieties over the years. Mom’s frothy version, around since the 1920s, adds sweet cream to the usual recipe of gin, grenadine (which provides flavoring and the pink color), and egg white.

Apparently (and not surprisingly), the drink eventually acquired a “feminine” image, both because of its name and because its sweet and creamy content wasn’t viewed as “masculine” enough in the eyes of male critics. One bartender also speculated that the non-threatening appearance of the “pink lady” probably was a major reason why it appealed to women who had limited experience with alcohol.

No doubt Mom was one of those women.

The very name of the cocktail, the “pink lady,” fit Mom to a T. She was absolutely determined to be a “lady” in every way and to instill “lady-like” behavior in her two daughters. I was frequently admonished to repress my most rambunctious ways by being told I wasn’t being lady-like. And when I had two daughters of my own, decades later, despite my strong opposition she still repeated the same admonition. She found it hard to shift gears and approve of her granddaughters’ behaving in what she viewed as a non-lady-like way. Although her basic sweetness, like that of her favorite drink, predominated in our relationship, we did differ on issues like that one.

The appellation of “pink lady” fit Mom in another way as well. She was a redhead whose fair skin would easily flush, lending a pink hue to her appearance. Whenever she was agitated (sometimes because my sister or I provoked her)…or whenever she excitedly took pride in one of our accomplishments…and assuredly whenever she was out in the sun too long, she literally turned pink.

So here’s to you, Pink Lady. In my memory, you’ll always resemble the very pink and very sweet cocktail you preferred.

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Posted in alcoholic drinks, cars, Chicago, cocktails, Corsages, Daddy, driving, family, food, fried food, health, Indiana, Lady-like behavior, Mom, nostalgia, restaurants, women, women"s interests

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Watching the movie “Z”: A tale of two Hoffmans

Posted on January 4, 2016 | 2 comments

January 1st marks an unusual anniversary for me.

On January 1, 1970, I watched the movie “Z”—a film I consider a powerful and enduring classic—under somewhat remarkable circumstances.

The 1969 film was directed by Costa-Gavras, a Greek-born filmmaker who lived in Paris. He based it on a book written in 1966 by Vassilis Vassilikos, who, using official documents, described the 1963 death of a Greek politician, Grigoris Lambrakis.

Lambrakis, an MD who taught at the medical school in Athens, was a leading pacifist and left-wing member of the Greek parliament. Shortly after speaking at an antiwar meeting in Thessaloniki, he was struck on the head by a club wielded by two far-right extremists. He later died of his injuries.

After his death, graffiti with the letter “Z” began to appear in Greek cities. Representing the growing protest against the right-wing government, it stood for the first letter of the Greek word, “Zi,” which means “he lives.”

In a filmed interview in 2009, Costa-Gavras discussed the making of “Z.” (You can watch this interview, as I did, on a DVD of “Z.”)

His focus was clear: political oppression. His cast: Yves Montand as Lambrakis, Irene Pappas as his wife, and Jean-Louis Trintignant as the prosecutor who slowly realizes what happened and is ultimately driven to seek justice against the wrongdoers.

In the film, a key scene takes place in front of the venue where Lambrakis is scheduled to give his speech. Many supporters have gathered to welcome him, but others in the crowd are demonstrators opposed to him and what he stands for. The local police are seen clubbing a few of the demonstrators. But it’s clear that the demonstrators are the bad guys–street toughs paid off by those in power to harm Lambrakis.

So it’s not the police who represent oppression here. Rather, it’s the demonstrators, one of whom strikes Lambrakis in the head. He’s stunned but goes ahead to give his speech. When leaving the venue, he’s struck once again, causing him to die later in the film.

Before he’s struck, Lambrakis asks, “Why do the ideas we stand for incite such violence?” Costa-Gavras’s answer: It’s all about power. Those in power will do anything to stay in power, and here that included the assassination of a political opponent.

Post-1963, Greek politics remained chaotic, and a 1967 coup by the military led to their control of the Greek government until their regime finally collapsed and democratic government was essentially restored in 1973.

I first saw “Z” at the Cinema movie theater in Chicago on New Year’s Day 1970.   The Cinema was an art-film theater located on Chicago Avenue near Michigan Avenue, and I saw many “art flicks” there when I was younger.  It’s long-gone, demolished and replaced by a high-rise building that includes a Neiman Marcus store.

I was a young lawyer working in an office that brought test cases on behalf of the poor.  I’d recently completed a clerkship with Judge Julius J. Hoffman, the judge who presided over “the Chicago 7 trial” (also called “the Chicago conspiracy trial”) that got underway in the fall of 1969 and was still ongoing in early 1970.  The trial stemmed from the turmoil engulfing the Democratic convention held in Chicago in 1968. (Happily, I never had to work on that trial. My clerkship was ending, and my co-clerk was assigned to that task.)

[FYI: I will discuss my tenure with Judge Hoffman in an upcoming post.]

I read about “Z” in Roger Ebert’s review in the Chicago Sun-Times in late December. Ebert was an unusually young and thoughtful movie critic, close to my own age, and I was a great fan of his reviews. This review, which called “Z” the best film of 1969, highlighted the political backdrop of corruption, and I was eager to see it.  I’d just said goodbye to a man I’d been dating—he was a bit too boring to abide any longer—and I set out on a cold and gray New Year’s Day to see the movie by myself. (As luck would have it, I met my adored and never-boring husband when I moved to sunny California a few months later.)

The film more than lived up to my expectations.  But what was especially striking about being in the audience that day was that, in the crowd waiting to enter the theater, was one of the “Chicago 7” defendants, Abbie Hoffman (no relation to Judge Hoffman).  In that era, Abbie Hoffman was a major figure in the protest movement opposing the government. All seven of the Chicago defendants were protesters indicted by “Tricky Dick” Nixon’s administration.

I didn’t agree with everything that Abbie Hoffman and his cohorts stood for, and I didn’t endorse their misconduct during the trial itself.  But I was opposed to the Vietnam War, sympathetic to other elements of the protest movement, and horrified later that year by events like the killings at Kent State.

As I watched “Z,” knowing that Abbie Hoffman was watching it at the very same time, I couldn’t help thinking of the parallels with Chicago.  Fortunately, our government (unlike the powerful right wing in Greece) didn’t promote assassination.

But there were parallels.  The attitude of local officials, including Mayor Richard J. Daley, toward the protesters who came to Chicago led to an overreaction by the Chicago police. Their violent conduct toward the protesters became obvious to everyone watching TV coverage of the Democratic convention. The U.S. Justice Department went on to indict Abbie Hoffman and the other defendants on charges brought under a law many viewed as unconstitutional.

But there was one sharp contrast between Chicago and Greece: the prosecutors.

I’d fallen halfway in love with Jean-Louis Trintignant when he starred in “A Man and a Woman,” a 1967 French film. Now, in “Z,” he portrayed a fair-minded prosecutor who becomes determined to hold the powerful to account. And he succeeds in indicting not only the two toughs who committed the murder but also the high-ranking military officers who supported them.

(The real-life prosecutor, Christos Sartzetakis, was twice arrested and imprisoned but triumphed after democracy was restored and was elected by the Greek parliament to serve as the country’s president from 1985 to 1990.)

By contrast, the prosecutors representing the Nixon administration in Chicago were politically ambitious and far from fair-minded. They were determined to convict the seven defendants, including Abbie Hoffman, whose protests during the convention had been largely peaceful. They secured as the trial judge a man whose usual bent was to rule in favor of the federal prosecutors who appeared before him, and he treated this trial like any other.

No one was killed in Chicago. And although the trial defendants were convicted, they were convicted only of contempt, and these convictions were mostly reversed by other courts. But the parallels between what transpired in Chicago and the story told in “Z” remain.

46 years later, “Z” is still a powerful film. And January 1, 1970, endures in my memory as a day that underscored the ugliness of political oppression both in Greece and in my own country.

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Posted in 1960s, 1969 movies, anniversaries, Chicago, Greece, lawyers, legal assistance to the poor, movie stars, movies, Nixon administration, politics

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Take a hike

Posted on April 21, 2015 | 2 comments

The lure of “the gym” has always escaped me. I’ve joined a few fitness centers in my day, but I consistently end up abandoning the gym and resorting to my preferred route to fitness: walking. Whenever possible, I walk and hike in the great outdoors.

A host of recent studies has validated my faith in the benefits of walking. And some of these benefits may surprise you.

First, being active is better for your health. Duh. We’ve all suspected that for a long time. But here’s a new finding: sitting may be the real problem. Studies show that the more you sit, the greater your risk for health problems. In a study of more than two thousand adults ages 60 and older, every additional hour a day spent sitting was linked to a 50 percent greater risk of disability. Even those who got some exercise but were sitting too much were more likely to get dumped in the pool of disabled people.

Dorothy Dunlop and her colleagues at Northwestern’s McCormick School of Engineering and Applied Science concluded that sitting seems to be a separate risk factor. Getting enough exercise is important, but it’s equally important not to be a couch potato the rest of the time. Their study appeared in the Journal of Physical Activity & Health in 2014.

Another study, published in Medicine & Science in Sports & Exercise, noted something else about prolonged sitting: taking “short walking breaks” at least once an hour may lessen or even prevent some of the adverse effects, especially on the cardiovascular system. When healthy young men sat for 3 hours without moving their legs, endothelial function—the ability of blood vessels to expand and contract—dropped significantly from the very beginning. But when they broke up their sitting time with slow 5-minute walks every 30 or 60 minutes, endothelial function did not decline.

Here’s another benefit: Exercise, including walking, can keep you from feeling depressed. A British study, reported in JAMA Psychiatry, followed over 11,000 people (initially in their early 20s) for more than 25 years. It found that the more physically active they were, the less likely they were to have symptoms of depression. For example, sedentary people who started exercising 3 times a week reduced their risk of depression 5 years later by almost 20 percent. The researchers concluded that being active “can prevent and alleviate depressive symptoms in adulthood.”

Ready for one more reason to walk? A study described in The Wall Street Journal in 2014 found that walking can significantly increase creativity. This is a brand new finding. In the past, studies have shown that after exercise, people usually perform better on tests of memory and the ability to make decisions and organize thoughts. Exercise has also been linked anecdotally to creativity: writers and artists have said for centuries that their best ideas have come during a walk. But now science supports that link.

Researchers at Stanford University, led by Dr. Marily Oppezzo, decided to test the notion that walking can inspire creativity. They gathered a group of students in a deliberately unadorned room equipped with nothing more than a desk and a treadmill. The students were asked to sit and complete “tests of creativity,” like quickly coming up with alternative uses for common objects, e.g., a button. Facing a blank wall, the students then walked on the treadmill at an easy pace, repeating the creativity tests as they walked. Result: creativity increased when the students walked. Most came up with about 60 percent more “novel and appropriate” uses for the objects.

Dr. Oppezzo then tested whether these effects lingered. The students repeated the test when they sat down after their walk on the treadmill. Again, walking markedly improved their ability to generate creative ideas, even when they had stopped walking. They continued to produce more and better ideas than they had before their walk.

When Dr. Oppezzo moved the experiment outdoors, the findings surprised her. The students who walked outside did come up with more creative ideas than when they sat, either inside or outside, but walking outside did not lead to more creativity than walking inside on the treadmill. She concluded that “it’s the walking that matters.”

So a brief stroll apparently leads to greater creativity. But the reasons for it are unclear. According to Dr. Oppezzo, “It may be that walking improves mood,” and creativity blooms more easily when one is happier. The study appeared in The Journal of Experimental Psychology: Learning, Memory, and Cognition in 2014.

In truth, I don’t need these studies to convince me to keep walking. It helps that I live in San Francisco, where the climate allows me to walk outside almost every day. Walking is much more challenging when you confront the snow and ice that used to accompany my walks in and around Chicago. So I’m not surprised that walkers in colder climes often resort to exercising indoors.

It also helps that San Francisco has recently been voted the second most walkable city in America. According to Walk Score, an organization that ranks the “walkability” of 2,500 cities in the U.S., SF placed just behind New York City as the most walkable major American city.

SF’s high score is especially impressive in light of the city’s hills. Although I avoid the steepest routes, I actually welcome a slight incline because it adds to my aerobic workout. Why use a Stairmaster in a gloomy gym when I can climb uphill enveloped in sunshine and cool ocean breezes?

But whether you walk indoors or out, do remember to walk! You’ll assuredly benefit health-wise. And you just may enhance your creativity quotient. Someday you may even find yourself writing a blog like this one.

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Posted in "the gym", Chicago, creativity, depression, exercise, fitness centers, health benefits of exercise, hiking, New York City, San Francisco, sitting, walking

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Down and Hot in Paris and London (with apologies to George Orwell)

Posted on November 5, 2014 | Leave a comment

This post is something of a departure from my earlier ones. It’s the record of a family trip to Paris, London, and elsewhere in France and the U.K. during the summer of 1995. My family that summer included my husband Herb; our two college-aged daughters, Meredith and Leslie; and me. Our home was in a suburb of Chicago.

I originally drafted this piece in 1995, shortly after we returned from our trip. I focused on how we survived the intense heat we’d encountered. Now, nearly 20 years later, the cities we visited may respond to hot weather differently than they did back then. But my post may nevertheless serve as a cautionary tale for anyone traveling anywhere during hot weather, even today.

Please don’t conclude that this trip was a disaster. It wasn’t! Even though we continually confronted the challenges of hot-weather travel, we nevertheless had a marvelous time. We laughed through all of our travails and mishaps, and they quickly became family legends that we’ve treasured ever since.

Because of its overall length, I’ve divided it into four separate posts, beginning with Part I.

PART I

In a sweltering summer when temperatures in Chicago soared to record-breaking highs, we took off for Paris and London. When Herb and I made our travel plans, it seemed like a great idea. For one thing, Northern Europe almost never had the high summer temperatures we usually had in Chicago. Besides, our older daughter, Meredith, was spending the summer doing research in Paris. What better excuse for the rest of us to fly there, meet up with her, then travel together in France and the U.K.?

In May, we booked our airline tickets, planning to depart for Paris in mid-July. By June, I began to get glimmers that all was not well. Meredith was reporting unusually hot weather in Paris, and media dispatches from Wimbledon noted London temperatures in the 90s.

It can’t last, I thought. This is freakish weather for Paris and London, and by the time we get there, things will have cooled off.

But by the time we got there, it was just as hot.

Younger daughter Leslie, Herb, and I arrived in Paris early Friday morning and headed for the taxi stand at Orly Airport. The air was shimmering with heat–at 8 a.m.–and we were grateful to grab a taxi with air-conditioning. We arrived at our modest hotel near the Luxembourg Gardens and found our chambre, a good-sized room with one double bed and two twins. Heavy curtains on the French windows were fending off the sun, but when we opened them to see our view, the sun hit the room, and the already-high temperature shot up even more. We rushed to close the curtains. Then, exhausted from our trip, we collapsed on our sagging mattresses.

Meredith met up with us later that morning, and we all set out for the Luxembourg Gardens, where we found chairs in a shady spot and pondered how to spend the rest of the day. A museum would surely be cool; protecting all that priceless artwork required air-conditioning. We couldn’t face the cavernous Louvre, so we headed for the Musée d’Orsay.

Hot and sleep-deprived, we dragged ourselves up the Boulevard St-Michel to the Metro, and took a sizzling subway car to the museum. Surprise! Once inside, having paid a hefty entrance fee, we were shocked to find the air-conditioning barely functioning. Weren’t Parisians worried about all those precious Monets, Manets, and Van Goghs?

We forced ourselves to look at a few galleries but eventually collapsed in some comfy wicker chairs, where we dozed off for the next half-hour. Other museum-goers stared, but we were too hot and sleepy to care. We finally made our way to the museum café, where we ate a light lunch and consumed a large quantity of liquid refreshment.

After searching for an air-conditioned restaurant near our hotel–and finding none–we dined outside on the Rue Soufflot and headed for bed, only to discover another problem: mosquitoes! Our beautiful French windows had no screens, and if we opened the windows with the lights on, mosquitoes attacked us from every direction. We decided to leave the windows closed till it was time to turn out the lights.

Once we turned off the lights and opened the windows, a delicious breeze entered the room, cooling us off for the night. But the mosquitoes still targeted us, even in the dark, and traffic noise kept us from having a good night’s sleep.

The next morning, we awoke to a rainy Paris sky. In my lifetime of traveling, I’d never before been so happy to see rain! The gray sky meant lower temperatures, and we happily set out for another museum (the Musée d’Art Moderne, then featuring an impressive exhibit of Chagall paintings) without the threat of soaring temperatures and a merciless sun.

But as the day progressed, things got a lot steamier, and we decided to leave Paris a day earlier than planned. We would pick up our rental car and head for Rouen one day sooner. After dinner on the Rue du Pot de Fer, a pedestrian street a few steps from the busy Rue Mouffetard, we walked back to our hotel, prepared to be unwilling mosquito-targets one more night.

By now, we were all covered with bites, and the torment of itching had begun. Applying hydrocortisone cream helped, but not nearly enough. Meredith bought a more powerful French ointment formulated to ease insect bites, so we tried that, too. But those Parisian bugs were potent, and we proceeded to scratch their bites for days. (The bites on our feet created a special torment. Encased in heavy-duty athletic shoes–the better to walk in, my dear–our feet were not only piping-hot but also covered with bites that never stopped itching!)

The next morning dawned sunny but cooler. Miraculous! Did we really want to leave Paris a day early? Taking advantage of the cooler air, we set out on foot for the Marais, by way of the bouquinistes along the Seine, the Ile de la Cité, and the Ile St-Louis. By the time we arrived at the Rue des Rosiers, where we consumed kosher panini, the sun had become more intense, and the air was growing hot.

At the Musée Carnavalet, the displays of Parisian history and culture were fascinating, but the increasing heat and the enormous collection finally wore us down. Drained of energy, we spent the next hour sitting in the shade, zombie-like, in a small park just outside the museum.

Later, we walked to the Place des Vosges, where we sat for a while once again in the shade. The search for shade had become a rallying cry that resounded throughout the trip. “Shade!” I would shout, and the rest of our little group would hurry after me to reach the nearest patch of shade.

After another excellent dinner on the Rue du Pot de Fer, enjoying the sensory delights of a delicious breeze, I wondered whether we were right to leave Paris one day early. But the next morning, the sun was blazing with a vengeance, and all of us were grateful to pile into our rented Peugeot and head north to Normandy, where cooler temperatures awaited–or so we hoped!

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Posted in Chicago, cosmetics, dining, environment, family, fashion, food, gender equality, health, hot-weather travel, indoor tanning, lipstick, travel

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The Demise of the Granada

Posted on December 22, 2013 | 2 comments

When they tore down the Granada movie theater, a large chunk of me crumbled with it.

As the wreckers began dismantling the magnificent old movie palace on Chicago’s Far North Side, other moviegoers must have felt the same sense of loss.  For those of us who came of age in the ’50s and ’60s, it was a wrenching reminder of the idyllic world we inhabited back then.

I grew up at the Nortown Theater, two or three miles west of the Granada.  It was the theater we could walk to, and nearly every Saturday afternoon we made our way to the Nortown to sit beneath its dark-sky ceiling filled with scores of glittering stars, our eyes glued to the larger-than-life stars who glittered on the screen.

Saturday afternoons at the Nortown expanded my otherwise limited horizons.  I learned about the Wild West from John Wayne, criminal pursuits from Bogart and Mitchum, romance from Taylor, Monroe, and Bacall, song and dance from Garland, Kelly, and Astaire.  But when our parents finally consented to our taking the Devon Avenue bus alone, a whole new world opened up:  the world of the Granada Theater.

Life became more complicated on the screen of the Granada.  At one remarkable double-feature in 1956, I encountered both the happiness and the sorrow of a woman’s search for love.  Katharine Hepburn’s spunky heroine, in love with a very-married Rossano Brazzi in “Summertime,” and Jennifer Jones’s strong woman doctor, in love with war journalist William Holden in “Love Is a Many-Splendored Thing,” bravely returned to their careers when their doomed love affairs ended.  An early portent of women’s liberation?  Judging from the masses of wet Kleenex we produced, I doubt it.

“The Man Who Knew Too Much” introduced me to the heart-pounding suspense stirred up by Hitchcock.  I watched “Anastasia” aware of the firestorm Ingrid Bergman’s scandalous love affair had ignited in Hollywood.   And a powerful statement about the criminal justice system, “12 Angry Men,” forced me to think about the possibility of injustice in America and whether I might someday do something about it.

As I grew older, the Granada became a place to go on dates.  Teenaged boys in that era liked taking dates to movies, where their eager sweaty hands would reach out in the dark in hopes of touching something soft, warm, and female.  They had limited success, at least with me.  My date and I once watched a shockingly bad movie with Tab Hunter and Natalie Wood, “The Burning Hills.”  It was so awful that we laughed too hard to do anything else.

In the ’60s, I rarely patronized the Granada.  I left Chicago for college and grad school, and when I returned, I lived in another part of the city.  On my last visit, just before leaving Chicago once again in 1970, the theater seemed rundown and much dirtier than I remembered.  Was the Granada on the skids?

Five years later, I returned to Chicago with a husband and a baby.  Living in a suburb north of the Granada, we passed it now and then, but my busy new life left no time to seek out old haunts.  Then one day it suddenly closed.  No warning, no notice announced in the newspapers, allowed its former patrons one last chance to see it.  The doors were locked, and entry barred.

Repeated efforts to save the Granada failed, and the wrecking ball finally arrived.  As I drove by the theater on my way to teach a law-school class, I saw the wall behind the screen fall to pieces and the two-story terra cotta columns crash to the floor.  The balcony seats were exposed to view, then destroyed.  At the end, a sodden ugly mass of tangled beams and columns, entwined with an array of aging construction materials, became a hideous pile awaiting disposal.

An era had ended.  TV, VCRs, and the proliferation of movie theaters in the suburbs all played their part.  Most of the opulent movie palaces that once thrived in American cities had become dinosaurs.  And so, in 1990, the Granada died.

But like the best of the movies that appeared on its screen for more than 50 wonderful years, the memories it created have never died.

An earlier version of this piece appeared in the Chicago Sun-Times.

 

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Posted in Chicago, movie stars, movies, nostalgia, opinion pieces

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